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Field recordings

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Iteyanye

- Members of the Christian mission Separatist Hymn, Composer not specified, Tracey, Hugh

Authors: Members of the Christian mission Separatist Hymn , Composer not specified , Tracey, Hugh
Date: 1957-07-11
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/240478 , vital:50839 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT486-L107 , Research no. L2Q14-2
Description: A separatist hymn .
Full Text: false
Date Issued: 1957-07-11

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Nyambilichina twali akwawu ku Muwewu

- Group of Lunda men and women, Composer not specified, Tracey, Hugh

Authors: Group of Lunda men and women , Composer not specified , Tracey, Hugh
Date: 1957-07-11
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/240473 , vital:50838 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT486-L107 , Research no. L2Q13
Description: A kahaku dance song for ceremonies accompanied by rattle and stuck bottle.
Full Text: false
Date Issued: 1957-07-11

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Wela welenu mama - o muku welada mi nshona

- Group of Lunda men and women, Composer not specified, Tracey, Hugh

Authors: Group of Lunda men and women , Composer not specified , Tracey, Hugh
Date: 1957-07-11
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/240456 , vital:50836 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT486-L107 , Research no. L2Q12
Description: A kahaku dance song normally danced on ceremonial occasions accompanied by a struck bottle.
Full Text: false
Date Issued: 1957-07-11

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Chihibalumuna bembi

- Louis Mulowa and Lunda men, Hugh Tracey

Authors: Louis Mulowa and Lunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183004 , vital:43902 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-16
Description: "A man who wears a waistcoat without a jacket looks a perfect fool." The most trivial remarks are quite enough to suggest a good dance tune. The lower notes of this Chisanzhi were tuned with wax attached to the underside of the tips of the reeds. Sikinta dances with Chizanzhi Mbira and gourd.
Full Text: false
Date Issued: 1952

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Eyi mwana kaloto

- French Chikunji and Luunda men, Hugh Tracey

Authors: French Chikunji and Luunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182940 , vital:43895 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-09
Description: There was once a man, they say, who broke his cup when drinking tea. This folly was sufficiently serious to merit a song. The singers were employed on the Mufulira Copper Mine where this item was recorded. Topical song
Full Text: false
Date Issued: 1952

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Eyi nambela yakwalwena

- French Chikunyi and group of Lunda men and women, Hugh Tracey

Authors: French Chikunyi and group of Lunda men and women , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183017 , vital:43903 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-17
Description: Chief Nambela's councillor was calling his children to go along home with him to the next district of Baluvale at the head of the Zambesi river. The rhythm struck on the bottle is the same familiar pattern // 1,2,3,1-2,1,2,1-2 // found all through the southern Congo. Sikinta dance with bootle struck with 6" nail
Full Text: false
Date Issued: 1952

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Kanenga

- Louis Mulowa, Hugh Tracey

Authors: Louis Mulowa , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
Full Text: false
Date Issued: 1952

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Mbanda wa Sikinta

- Gibson Zenzi with Luunda men, Hugh Tracey

Authors: Gibson Zenzi with Luunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182886 , vital:43889 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-03
Description: "The woman of the Sikinta." The Sinkinta dance is said to be the favourite Luunda dance of the present day (1952). This set of Sikinta dance tunes was recorded by young Luunda men who were working on the Roan Antelope Copper Mine. Four Sikinta dance song with struck bottles
Full Text: false
Date Issued: 1952

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Muta

- Louis Mulowa, Hugh Tracey

Authors: Louis Mulowa , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
Full Text: false
Date Issued: 1952

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Mwa mwena dehe-ye-yele

- Gibson Zenzi with Luunda men, Hugh Tracey

Authors: Gibson Zenzi with Luunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182895 , vital:43890 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-04
Description: "All is quiet." Bottles are a favourite accompaniment for most tunes on the Copperbelt of Northern Rhodesia, simple, cheap, and effective for playing across rhythms. The chorus sings in organum. Four Sikinta dance song with struck bottles
Full Text: false
Date Issued: 1952

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Mwanami waya mwiyawu

- Gibson Zenzi with Luunda men, Hugh Tracey

Authors: Gibson Zenzi with Luunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182868 , vital:43887 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-01
Description: "The child lost in the forest." In this part of Africa the whole countryside is covered with thick bush and trees up to 40 or 50 feet high. It would be particularly easy to lose oneself in this endless bush. Four Sikinta dance song with struck bottles
Full Text: false
Date Issued: 1952

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Udina kuzara ndowayami

- Gibson Zenzi with Luunda men, Hugh Tracey

Authors: Gibson Zenzi with Luunda men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
Language: Lunda , Luba
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/182877 , vital:43888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-02
Description: "My wife is shivering." A short phrase is quite sufficient upon which to hang the melody and rhythm for the local dance. The Luunda come to the mines of the Copperbelt in large numbers from their home in the north western districts of Northern Rhodesia. In common with many other African folk singers there is a gradual rise in pitch during this song. The empty bottles of different sizes are struck with light pieces of iron, such as 6" nails, or small bolts. Four Sikinta dance song with struck bottles
Full Text: false
Date Issued: 1952

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