Arap Chepsiolei
- Malakwen Chepsaikut, Hugh Tracey
- Authors: Malakwen Chepsaikut , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176838 , vital:42764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-03
- Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise and topical song with Kipukandet 5 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Malakwen Chepsaikut , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176838 , vital:42764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-03
- Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise and topical song with Kipukandet 5 string lyre.
- Full Text: false
- Date Issued: 1950
Arap Chepsiolei
- Akito Arap Yeko, Tracey, Hugh
- Authors: Akito Arap Yeko , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298764 , vital:57740 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2038-XYZ5473
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298764 , vital:57740 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2038-XYZ5473
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Arap Chepsiolei
- Akito Arap Yeko, performer not specified, Tracey, Hugh
- Authors: Akito Arap Yeko , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395437 , vital:69083 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO903-D6F9
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395437 , vital:69083 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO903-D6F9
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Arap Chepsiolei II
- Akito Arap Yeko, Hugh Tracey
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176879 , vital:42768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-06
- Description: Arap Chepsiolei's chief claim to fame is that he sold his daughter, they say, and used the money to buy a hoe. One is reminded of 'Nebuchadnezzar, the king of the Jews who sold his wife for a pair of shoes. Topical song, with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176879 , vital:42768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-06
- Description: Arap Chepsiolei's chief claim to fame is that he sold his daughter, they say, and used the money to buy a hoe. One is reminded of 'Nebuchadnezzar, the king of the Jews who sold his wife for a pair of shoes. Topical song, with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Arap Kapero
- Kipkeino Arap Rop, performer not specified, Tracey, Hugh
- Authors: Kipkeino Arap Rop , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395446 , vital:69084 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO904-D6F12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Kipkeino Arap Rop , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395446 , vital:69084 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO904-D6F12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Arap Kapero
- Kipkeino Arap Rop, Tracey, Hugh
- Authors: Kipkeino Arap Rop , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298782 , vital:57742 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2040-XYZ5475
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Kipkeino Arap Rop , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298782 , vital:57742 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2040-XYZ5475
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Arap Kapero
- Kipkeino Arap Rop, Hugh Tracey
- Authors: Kipkeino Arap Rop , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176863 , vital:42766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-05
- Description: One day a friend called on Arap Kapero unexpectedly. He sang "Had I a shilling I would have bought flour to make bread for you." The accompaniment of this song is interesting for the extra half bar just prior to the start of each verse. Topical song, with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Kipkeino Arap Rop , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176863 , vital:42766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-05
- Description: One day a friend called on Arap Kapero unexpectedly. He sang "Had I a shilling I would have bought flour to make bread for you." The accompaniment of this song is interesting for the extra half bar just prior to the start of each verse. Topical song, with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Chepchoi Marinda
- Akito Arap Yeko, Tracey, Hugh
- Authors: Akito Arap Yeko , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298777 , vital:57741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2039-XYZ5474
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298777 , vital:57741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2039-XYZ5474
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chepchoni marinda
- Malakwen Chepsaidut, performer not specified, Tracey, Hugh
- Authors: Malakwen Chepsaidut , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395417 , vital:69081 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO902-D6F7a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Malakwen Chepsaidut , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395417 , vital:69081 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO902-D6F7a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chepchoni Marinda
- Malakwen Chepsaikut, Hugh Tracey
- Authors: Malakwen Chepsaikut , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176824 , vital:42762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-02
- Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise sone with Kipukandet 5 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Malakwen Chepsaikut , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176824 , vital:42762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-02
- Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise sone with Kipukandet 5 string lyre.
- Full Text: false
- Date Issued: 1950
Chepchoni Marinda a Arap Chepsiolei b
- Malakwen Chepsaidut, performer not specified, Tracey, Hugh
- Authors: Malakwen Chepsaidut , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395402 , vital:69080 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0902-D6F7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Malakwen Chepsaidut , performer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395402 , vital:69080 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0902-D6F7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chepconi Marinda II
- Akito Arap Yeko, Hugh Tracey
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176905 , vital:42770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-07
- Description: The Nandi, like the Kipsigis their relatives, are given to singing praise songs about people and places familiar to them and beloved by all. This is an example of such a song in which people, places and chiefs all come in for approbation and appreciation. Praise song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176905 , vital:42770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-07
- Description: The Nandi, like the Kipsigis their relatives, are given to singing praise songs about people and places familiar to them and beloved by all. This is an example of such a song in which people, places and chiefs all come in for approbation and appreciation. Praise song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Chepulionit
- Paul Serefu with Nandi boys, Hugh Tracey
- Authors: Paul Serefu with Nandi boys , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176809 , vital:42761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-01
- Description: The Chemelilit dance for young men is performed at night as a general entertainment. The present dance song is a traditional one and was used in the old ways before going out to raid neihbouring tribes after which they felt they were fit to accomplish anything they set themselves to do. It was sung by the raiding party sitting down, but is now solely as a dance. Chemelilit dance song for young men.
- Full Text: false
- Date Issued: 1950
- Authors: Paul Serefu with Nandi boys , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176809 , vital:42761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-01
- Description: The Chemelilit dance for young men is performed at night as a general entertainment. The present dance song is a traditional one and was used in the old ways before going out to raid neihbouring tribes after which they felt they were fit to accomplish anything they set themselves to do. It was sung by the raiding party sitting down, but is now solely as a dance. Chemelilit dance song for young men.
- Full Text: false
- Date Issued: 1950
Chepulionit
- Paul Serebu, Nandi boys, Folk, Tracey, Hugh
- Authors: Paul Serebu , Nandi boys , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298700 , vital:57732 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2032-XYZ5467
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Paul Serebu , Nandi boys , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298700 , vital:57732 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2032-XYZ5467
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chepulon
- Kiplakat Arap Janui, Tracey, Hugh
- Authors: Kiplakat Arap Janui , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298759 , vital:57739 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2037-XYZ5472b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Kiplakat Arap Janui , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298759 , vital:57739 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2037-XYZ5472b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chepulon
- Kiplakat Arap Tanui, Hugh Tracey
- Authors: Kiplakat Arap Tanui , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176910 , vital:42771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-08
- Description: The local hero Chepulon is a national legendary figure whose exploits are held up to the young men to emulate. In such ways are tribal manners and codes of behaviour instilled into and the younger generations. Heroic song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Kiplakat Arap Tanui , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176910 , vital:42771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-08
- Description: The local hero Chepulon is a national legendary figure whose exploits are held up to the young men to emulate. In such ways are tribal manners and codes of behaviour instilled into and the younger generations. Heroic song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Ichepu-chepu
- Elijan Reremoi with Nandi boys, Hugh Tracey
- Authors: Elijan Reremoi with Nandi boys , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Baringo f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176934 , vital:42773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-09
- Description: The many unrelated verses are mostly descriptions of various characters in the village. A simple song of the Nandi. Rekweno dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Elijan Reremoi with Nandi boys , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Baringo f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176934 , vital:42773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-09
- Description: The many unrelated verses are mostly descriptions of various characters in the village. A simple song of the Nandi. Rekweno dance song for men.
- Full Text: false
- Date Issued: 1950
Iongile
- Paul Serebu, Nandi boys, composer not specified, Tracey, Hugh
- Authors: Paul Serebu , Nandi boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395451 , vital:69085 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO904-D6F13
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Paul Serebu , Nandi boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya city not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395451 , vital:69085 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO904-D6F13
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Iongilo
- Serebu, Paul, Nandi boys, Folk, Tracey, Hugh
- Authors: Serebu, Paul , Nandi boys , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298498 , vital:57709 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2025-XYZ5476
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Serebu, Paul , Nandi boys , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298498 , vital:57709 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2025-XYZ5476
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Iyongilo kalamitap kokoek (The Kikuyu's pen)
- Kiptui Arap Moroko with Nandi men, Hugh Tracey
- Authors: Kiptui Arap Moroko with Nandi men , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176752 , vital:42747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-11
- Description: "Kikuyu's pen." The Moran is the attractive Nandi dance where they link arms in a circle and step sideways to the music while others enter the ring and leap like a coiled spring straight into the air. It requires few words to keep the rhythm going. The words in this case, they said, had little meaning referring possibly to pen weilded by a certain Kikuyu clerk. They rise steadily in pitch during the song. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Kiptui Arap Moroko with Nandi men , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176752 , vital:42747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-11
- Description: "Kikuyu's pen." The Moran is the attractive Nandi dance where they link arms in a circle and step sideways to the music while others enter the ring and leap like a coiled spring straight into the air. It requires few words to keep the rhythm going. The words in this case, they said, had little meaning referring possibly to pen weilded by a certain Kikuyu clerk. They rise steadily in pitch during the song. Moran dance song for men.
- Full Text: false
- Date Issued: 1950