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Leboko II

- a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa, Hugh Tracey

  • Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165832 , vital:41286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-07
  • Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
  • Full Text: false
  • Date Issued: 1959

O Hlahla-gowam (Oh, Hlahla is mine)

- Obed Mazia, Jameson Hlope and Wilton Macabo, Hugh Tracey

Pamukadzi wo munu takataka

- Pineas Hungwe, Hugh Tracey

Anatami (Mid-season)

- Group of Tonga men led by Siamungomo, Hugh Tracey

  • Authors: Group of Tonga men led by Siamungomo , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138353 , vital:37625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-01
  • Description: Towards the end of the song the voice of the Chief Chepepo can be heard. "Listen boys, I have been to Gwanda, Mersima, Plumtree in Salisbury. Also I was in India." Midseason is the time between sowing and reaping the winter crops, between May and July. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1957

Chitima wajumbo

- Composer not specified, Elmas Nachilwa and group of Tumbuka women (Performers), Hugh Tracey

Kamuteketi, Kamuteketi, chalu chinu cha ulendo (I came here as a stranger)

- Iron Khoma, Hugh Tracey

  • Authors: Iron Khoma , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137312 , vital:37509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0037-03
  • Description: "At our place at home, you will find Beti Kamanga, the son of Balidi. I will stay here till night and sleep until morning. My head is coming through my hair. My father and mother are both dead and I am very poor. Jesus called Moses to leave his fishing and come to Him, on Lake Nyasa." Self-delectative nostalgic song with Bangwe board zither with 7 strings, lowest not used.
  • Full Text: false
  • Date Issued: 1957

Kufa kusina dangwe

- Simon Sitole, Hugh Tracey

Mapewu wose wanalumuka mahando

- Group of 14 Luvale men and 1 woman, Hugh Tracey

Mukala bwanga

- Kabango Prospere and friends, Kabango Prospere, Hugh Tracey

  • Authors: Kabango Prospere and friends , Kabango Prospere , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ensemble playing , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135627 , vital:37283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-04
  • Description: The song is a lament for a young man who fell to his death from a palm tree, when cutting the fruit for palm-oil. Note: the Belande are a sub-group of the Songe people, who form a part of the Luba tribe. Lament with Chisanshi box, with sound holes.
  • Full Text: false
  • Date Issued: 1957

Nalongana maani (What will I do today)

- Kaseba Anatole, Hugh Tracey

Ngqika (A Xhosa Chief)

- Jury Mpelho, Hugh Tracey

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135900 , vital:37310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-03
  • Description: The song is about the cattle of Ngqika, a famous Xhosa chief, and how beautiful they were. "We, the Africans of Ngqika, we pay our lobola in cattle. Our cattle are beautiful with well-shaped spreading horns, and we drive them like this, like this. (senjenje, senjenje) to the kraal of the girl's father." Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

Salimwendo (The one legged man)

- Genye Chiwaula and Chewa lads, Hugh Tracey

  • Authors: Genye Chiwaula and Chewa lads , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Fort Mlangeni f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160826 , vital:40550 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-08
  • Description: There was once a man with one leg called Salimwendo. Now Salimwendo was a thief. He married a young girl and he told the girl "I have plenty of goats, fowls and sheep at home and you will not be short of relish if you marry me." One day he went out stealing a goat, and he was chased by the owner who called out his friends "catch him-Salimwendo, catch hm". Salimwendo ran away to his owm house and quickly sang to his wife inside. "Open the door for me, quickly, your share will be the liver". So she opened the door and he was safe inside. But he did not give her her share. The next day Salimwendo went out to steal a fowl. He was chased again, but he was not quick enough. The owner caught him outside his own door as his wife had refused to open the door. Salimwendo was taken by the man to the Chief who said he must give back both the goat and the fowl and on top of that his wife left him as she did not like to live with a greedy man who also told her lies about his goats, fowls and sheep. "There is Salimwendo, catch him. the one with one leg, catch him." "Girl open the door for me quickly, quickly. I will give you your share. the liver." Nthanu story.
  • Full Text: false
  • Date Issued: 1957

Shiya bantwana nosela ingavin (You leave the children alone whilst you go and drink 'gavin'

- Nomaswiti Citaumvano and Uvakutsiwo, Hugh Tracey

Tuhuri

- Large group of Kasai women and 6 men, Hugh Tracey

  • Authors: Large group of Kasai women and 6 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137745 , vital:37555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-05
  • Description: The buzzing or nasalizing effect of the small mirliton membranes inserted into the side of the drums is clearly heard throughout this recording. The women who play the singing gourds hold their mouths just inside the orifice of their gourds and voice their notes with taught lips, using alternate sides of their mouth, as if they were lipping a trumpet or bugle. The cavity of the gourd thus resonates the sound produced. In addition, they slap the outside of their gourd rhythmically as they hold it between the palms of their hands. Wedding and ceremonial with 4 goblet drums, closed, pinned, weighted, with mirlitons. Quiet hand clapping (-12.05-) and 4 singing gourds. (-11.13-).
  • Full Text: false
  • Date Issued: 1957

Tuli baBemba (We are Bemba, we are good people, we do not sharpen our teeth

- Group of six Bemba men, Hugh Tracey

  • Authors: Group of six Bemba men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Kasama f-za
  • Language: bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135047 , vital:37230 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-03
  • Description: The singers go on to say: "Be careful,we will take out your eyes." The Bamba it appears, are given to boasting. Several tribes in Central Africa file their teeth, sometimes to fine sharp points. Topical song with clapping.
  • Full Text: false
  • Date Issued: 1957

Zawula mutemba

- Large group of 14 Lwena men and women, Hugh Tracey

  • Authors: Large group of 14 Lwena men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Bulusako f-ao
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137221 , vital:37499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-10
  • Description: The Chisanzhi was rested on a large oil drum. The tongues were wax-weighted. Only 3 were used of the five, and they provided a kind of rhythmic ground. This bamboo-tongued mbira cannot be said to be a musical but rather a rhythmic instrument. Wood-carrying song with 1 chisanzhi, bamboo-tongued, board, 2 struck sticks, bottle and small bell.
  • Full Text: false
  • Date Issued: 1957

Usegugil' ubaba

- Chief Buthelezi and his Tribesmen and Women (Performers), N. Mpungose (Composer), Hugh Tracey

Basaula likenja

- Saidi Kikongo and Wagenya fishermen, Hugh Tracey

Mama Yangu

- Mudumbu, Hugh Tracey

Munya, gwerira munyale

- Evaristo N. Muyinda and Yakobo Ssewakirya, Hugh Tracey

  • Authors: Evaristo N. Muyinda and Yakobo Ssewakirya , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Kyagwe f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171063 , vital:42015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-08
  • Description: This is a song about a Gekko lizard. The lizard, he says, is a harmless animal, it does not eat food like other animals. All it eats is soot, nor does it despise anybody, so why kill it. If one of these Gekko lizards is killed seven others would take the case to the chief and they will win their case. So do not kill the gekko lizard. The two lyres were tuned an ocatve apart and were said to be exactly in tune with lyre played by Bulasiyo. viz:- 286, 336, 194, 168, 144, 194, 248 vs. Topical song, with 2 Endongo lyres (-10.625 x 8-).
  • Full Text: false
  • Date Issued: 1952
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