South African breweries, what it is and what it does
- South African Breweries (SAB)
- Authors: South African Breweries (SAB)
- Subjects: SAB
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/168866 , vital:41655
- Description: This booklet is to be used by unions organising in South African Breweries subsidiaries. The aim of this booklet is to provide an understanding of SAB which will help in working out how to negotiate with a monopoly of this size. As such, the booklet is divided into two sections. The first section looks at SAB, who owns it, how it is structured, how profitable it is, what it owns, etc. This section summarises the essential information about the company. We have drawn on a report by the Labour Research Service to assist in this section.
- Full Text:
- Authors: South African Breweries (SAB)
- Subjects: SAB
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/168866 , vital:41655
- Description: This booklet is to be used by unions organising in South African Breweries subsidiaries. The aim of this booklet is to provide an understanding of SAB which will help in working out how to negotiate with a monopoly of this size. As such, the booklet is divided into two sections. The first section looks at SAB, who owns it, how it is structured, how profitable it is, what it owns, etc. This section summarises the essential information about the company. We have drawn on a report by the Labour Research Service to assist in this section.
- Full Text:
South African estuaries in the Anthropocene
- Authors: Perissinotto, Renzo
- Subjects: Estuaries -- South Africa , Geology, Stratigraphic -- Anthropocene , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/20977 , vital:29424
- Description: In the new geological epoch of total human dominance of the planet, already widely referred to as the “Anthropocene”, estuaries are among the most vulnerable ecosystems to the changes that man’s activities have imposed on the coastal zone. For the non-specialist, an estuary is a “semi-enclosed coastal body of water, which has a permanent or temporary connection with the open sea, and within which sea water is diluted with fresh water from land drainage”.
- Full Text:
- Authors: Perissinotto, Renzo
- Subjects: Estuaries -- South Africa , Geology, Stratigraphic -- Anthropocene , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/20977 , vital:29424
- Description: In the new geological epoch of total human dominance of the planet, already widely referred to as the “Anthropocene”, estuaries are among the most vulnerable ecosystems to the changes that man’s activities have imposed on the coastal zone. For the non-specialist, an estuary is a “semi-enclosed coastal body of water, which has a permanent or temporary connection with the open sea, and within which sea water is diluted with fresh water from land drainage”.
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South African local government bargaining council
- SAMWU
- Authors: SAMWU
- Subjects: SAMWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/173941 , vital:42423
- Description: The headings of the clauses in this agreement are for the purpose of convenience and reference only and shall not be used in the interpretation of nor modify nor amplify the terms of this agreement for any clause hereof.
- Full Text:
- Authors: SAMWU
- Subjects: SAMWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/173941 , vital:42423
- Description: The headings of the clauses in this agreement are for the purpose of convenience and reference only and shall not be used in the interpretation of nor modify nor amplify the terms of this agreement for any clause hereof.
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Speaking at Union Meetings
- Irish Congress of Trade Unions (ICTU)
- Authors: Irish Congress of Trade Unions (ICTU)
- Subjects: ICTU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/174145 , vital:42446
- Description: The type of meetings we have in mind are general members’ meetings with more than ten people in attendance. These notes are relevant where you have an opportunity to think beforehand about what you are going to say and to spend some time on preparation. Sometimes you may have to speak 'on the spur of the moment' in response to information, a statement or an event. In these circumstances, you should try to get your thoughts together before you speak, rather than simply 'thinking out loud’. The most important point about the 'spur of the moment' type of situation is to say what’s on your mind. Don’t leave it to someone else. These ‘spontaneous’ contributions to meetings can be very effective. People usually can recognise when someone is speaking ‘from the heart’! Sincerity, honesty and conviction are much more important for effective speaking than ‘polish’ and presentation. Hundreds of books have been written and millions of pounds ’earned’ telling people how to get their message across. While good presentation can help, for the trade union movement what people say is more important than how they say it. A speech is effective if the audience remembers most of the points made by the speaker.
- Full Text:
- Authors: Irish Congress of Trade Unions (ICTU)
- Subjects: ICTU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/174145 , vital:42446
- Description: The type of meetings we have in mind are general members’ meetings with more than ten people in attendance. These notes are relevant where you have an opportunity to think beforehand about what you are going to say and to spend some time on preparation. Sometimes you may have to speak 'on the spur of the moment' in response to information, a statement or an event. In these circumstances, you should try to get your thoughts together before you speak, rather than simply 'thinking out loud’. The most important point about the 'spur of the moment' type of situation is to say what’s on your mind. Don’t leave it to someone else. These ‘spontaneous’ contributions to meetings can be very effective. People usually can recognise when someone is speaking ‘from the heart’! Sincerity, honesty and conviction are much more important for effective speaking than ‘polish’ and presentation. Hundreds of books have been written and millions of pounds ’earned’ telling people how to get their message across. While good presentation can help, for the trade union movement what people say is more important than how they say it. A speech is effective if the audience remembers most of the points made by the speaker.
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Speaking out : Africa orality and post-colonial preoccupations in selected examples of contemporary performance poetry
- Authors: Mnensa, Mabel Thandeka
- Subjects: Oral interpretation of poetry , Poetry slams , Oral tradition -- Africa , Folk literature -- Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8455 , http://hdl.handle.net/10948/1193 , Oral interpretation of poetry , Poetry slams , Oral tradition -- Africa , Folk literature -- Africa
- Description: Contemporary performance poetry is a democratic art form that elicits dialogue and is a catalyst for social change. Yet it is an art form that is still not well understood: it is accused of unconsciously mimicking hip-hop and being a watered-down, lesser version of "real" poetry. However once its power is harnessed it may be a powerful art form that can be used to address social ills and act as a medium for memory work. The themes that are prevalent in contemporary performance poetry illustrate society‘s preoccupations. Different South African and American poets from a wide range of socio-economic, national, generational and racial backgrounds are examined to explore the collective preoccupations that keep emerging in the poetry, issues pertaining to race and class, gender, and to the politics of the past and its effect on the present. There is a long debate around the influences of contemporary performance poetry, which is negotiated in Chapter One. Though Gil Scott-Heron‘s "The Revolution will not be Televised" is identified as being a major influence, Saul Williams‘s "Black Stacey" challenges some of the arguments made by Scott-Heron. Lesego Rampolokeng lays the foundation for South African performance poetry by criticising the new black elite in the country in "Riding the Victim Train". Chapter Two examines how the poets challenge the status quo in their work. Sarah Jones‘s "Blood" illustrates how the new black middle class in America is complicit in keeping poor people on the margins, while Kgafela oa Magogodi levels his criticism against state sanctioned poets in South Africa. Mxolisi Nyezwa‘s "The Man is Gone" illustrates that the new class based hierarchal system in South Africa is potentially harsher than the apartheid one that was based on race. Chapter Three focuses on gender issues that are prevalent in South Africa. Tumi Molekane‘s "Yvonne" illustrates the danger that is embedded in the hetero-normative narrative while oa Magogodi‘s "Samson and deli(e)lah" and Sam‘s "Eve" explore how this narrative is unjustly informed by misinterpretations of the Bible. History and the impact of the past on the present is the focus of Chapter Four. "76" by Molekane illustrates how the apartheid legacy still affects many in South Africa, while Andrea Gibson‘s "Eli" explores the devastating effects of America‘s war efforts in Iraq. Dennis Brutus highlights the cathartic attributes of poetry that is community-driven in "So Neat They Were" and "Mumia". The chapter ends with an exploration of how the form of izibongo is used by Chris Thurman in "Holy City (A Jozi Praise-Poem)". The last poem illustrates how the past informs the present and suggests that despite the bleakness of the past, there is hope for South Africa because of its rich cultural heritage.
- Full Text:
- Authors: Mnensa, Mabel Thandeka
- Subjects: Oral interpretation of poetry , Poetry slams , Oral tradition -- Africa , Folk literature -- Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8455 , http://hdl.handle.net/10948/1193 , Oral interpretation of poetry , Poetry slams , Oral tradition -- Africa , Folk literature -- Africa
- Description: Contemporary performance poetry is a democratic art form that elicits dialogue and is a catalyst for social change. Yet it is an art form that is still not well understood: it is accused of unconsciously mimicking hip-hop and being a watered-down, lesser version of "real" poetry. However once its power is harnessed it may be a powerful art form that can be used to address social ills and act as a medium for memory work. The themes that are prevalent in contemporary performance poetry illustrate society‘s preoccupations. Different South African and American poets from a wide range of socio-economic, national, generational and racial backgrounds are examined to explore the collective preoccupations that keep emerging in the poetry, issues pertaining to race and class, gender, and to the politics of the past and its effect on the present. There is a long debate around the influences of contemporary performance poetry, which is negotiated in Chapter One. Though Gil Scott-Heron‘s "The Revolution will not be Televised" is identified as being a major influence, Saul Williams‘s "Black Stacey" challenges some of the arguments made by Scott-Heron. Lesego Rampolokeng lays the foundation for South African performance poetry by criticising the new black elite in the country in "Riding the Victim Train". Chapter Two examines how the poets challenge the status quo in their work. Sarah Jones‘s "Blood" illustrates how the new black middle class in America is complicit in keeping poor people on the margins, while Kgafela oa Magogodi levels his criticism against state sanctioned poets in South Africa. Mxolisi Nyezwa‘s "The Man is Gone" illustrates that the new class based hierarchal system in South Africa is potentially harsher than the apartheid one that was based on race. Chapter Three focuses on gender issues that are prevalent in South Africa. Tumi Molekane‘s "Yvonne" illustrates the danger that is embedded in the hetero-normative narrative while oa Magogodi‘s "Samson and deli(e)lah" and Sam‘s "Eve" explore how this narrative is unjustly informed by misinterpretations of the Bible. History and the impact of the past on the present is the focus of Chapter Four. "76" by Molekane illustrates how the apartheid legacy still affects many in South Africa, while Andrea Gibson‘s "Eli" explores the devastating effects of America‘s war efforts in Iraq. Dennis Brutus highlights the cathartic attributes of poetry that is community-driven in "So Neat They Were" and "Mumia". The chapter ends with an exploration of how the form of izibongo is used by Chris Thurman in "Holy City (A Jozi Praise-Poem)". The last poem illustrates how the past informs the present and suggests that despite the bleakness of the past, there is hope for South Africa because of its rich cultural heritage.
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Spectral properties and photophysical behaviour of water soluble cationic Mg(II) and Al(III) phthalocyanines
- Idowu, Mopelola A, Arslanoglu, Yasin, Nyokong, Tebello
- Authors: Idowu, Mopelola A , Arslanoglu, Yasin , Nyokong, Tebello
- Language: English
- Type: Article
- Identifier: vital:7277 , http://hdl.handle.net/10962/d1020292
- Description: Peripherally and non-peripherally tetrasubstituted-[(N-methyl-2-pyridylthio)]phthalocyaninato magnesium (II) (5 and 6) and chloro aluminium (III) (7 and 8) tetraiodide have been synthesized and characterized. The photophysical properties of the complexes in dimethyl sulfoxide (DMSO) and aqueous medium in the presence and absence of cremophore EL have been studied. These complexes show high solubility in aqueous medium though they were aggregated. The triplet state quantum yields (FT) and the triplet lifetimes (tT) were found to be higher in DMSO with ΦT ranging from 0.32 to 0.51, while tT ranged from 282 to 622 ms in DMSO, compared to aqueous medium (pH 7.4 buffer) where ΦT ranged from 0.15 to 0.19 and tT from 26 to 35 ms. Addition of cremophore EL in aqueous solution resulted in partial disaggregation and increased photoactivity. The fluorescence lifetimes of the complexes showed strong dependence on their immediate environment. The ionic magnesium(II) and aluminium(III) phthalocyanines strongly bind to bovine serum albumin (BSA). , Original publication is available at http://dx.doi.org/10.2478/s11532-013-0388-z
- Full Text: false
- Authors: Idowu, Mopelola A , Arslanoglu, Yasin , Nyokong, Tebello
- Language: English
- Type: Article
- Identifier: vital:7277 , http://hdl.handle.net/10962/d1020292
- Description: Peripherally and non-peripherally tetrasubstituted-[(N-methyl-2-pyridylthio)]phthalocyaninato magnesium (II) (5 and 6) and chloro aluminium (III) (7 and 8) tetraiodide have been synthesized and characterized. The photophysical properties of the complexes in dimethyl sulfoxide (DMSO) and aqueous medium in the presence and absence of cremophore EL have been studied. These complexes show high solubility in aqueous medium though they were aggregated. The triplet state quantum yields (FT) and the triplet lifetimes (tT) were found to be higher in DMSO with ΦT ranging from 0.32 to 0.51, while tT ranged from 282 to 622 ms in DMSO, compared to aqueous medium (pH 7.4 buffer) where ΦT ranged from 0.15 to 0.19 and tT from 26 to 35 ms. Addition of cremophore EL in aqueous solution resulted in partial disaggregation and increased photoactivity. The fluorescence lifetimes of the complexes showed strong dependence on their immediate environment. The ionic magnesium(II) and aluminium(III) phthalocyanines strongly bind to bovine serum albumin (BSA). , Original publication is available at http://dx.doi.org/10.2478/s11532-013-0388-z
- Full Text: false
Speech and Music for Chopi Wedding
- Authors: Tracey, Hugh
- Subjects: Chopi wedding , Speech , Music , Xylophone , Orchestra , Dances , Chief Banguza, Philipi , Chief Zandamela , Bride, Chief Banguza's daughter , Groom, Chief Zandamela's son , Komukomu, leader of xylophone orchestra , Makara , Rattle players , Mzeno movement , Whistling , Ngondo dance , Chibudo movement , Villagers , Mozambique
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15134 , http://hdl.handle.net/10962/d1012208 , Reel number: BC159
- Description: Broadcast entitled 'Speech and Music for Chopi Wedding', for a television film programme broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Chopi wedding , Speech , Music , Xylophone , Orchestra , Dances , Chief Banguza, Philipi , Chief Zandamela , Bride, Chief Banguza's daughter , Groom, Chief Zandamela's son , Komukomu, leader of xylophone orchestra , Makara , Rattle players , Mzeno movement , Whistling , Ngondo dance , Chibudo movement , Villagers , Mozambique
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15134 , http://hdl.handle.net/10962/d1012208 , Reel number: BC159
- Description: Broadcast entitled 'Speech and Music for Chopi Wedding', for a television film programme broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Speech at D.S.G. Dinner - 14th October, 1975
- Authors: Henderson, Derek Scott
- Subjects: Diocesan School for Girls -- Grahamstown
- Language: English
- Type: Text
- Identifier: vital:7332 , http://hdl.handle.net/10962/d1017060
- Full Text:
- Authors: Henderson, Derek Scott
- Subjects: Diocesan School for Girls -- Grahamstown
- Language: English
- Type: Text
- Identifier: vital:7332 , http://hdl.handle.net/10962/d1017060
- Full Text:
Speech Day, St. Alban's College, Pretoria, 1978
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7373 , http://hdl.handle.net/10962/d1017253
- Full Text:
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7373 , http://hdl.handle.net/10962/d1017253
- Full Text:
Speech Day, St. Dominics Priory, 1977
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7355 , http://hdl.handle.net/10962/d1017084
- Full Text:
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7355 , http://hdl.handle.net/10962/d1017084
- Full Text:
Speech Day, Union High School, Graaff-Reinet
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7399 , http://hdl.handle.net/10962/d1017288
- Full Text:
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7399 , http://hdl.handle.net/10962/d1017288
- Full Text:
Speech in honour of Chief Minister L.L.W. Sebe
- Authors: Henderson, Derek Scott
- Subjects: Sebe, L L W (Lennox L W) , Statesmen -- South Africa -- Ciskei
- Language: English
- Type: Text
- Identifier: vital:7384 , http://hdl.handle.net/10962/d1017273
- Full Text:
- Authors: Henderson, Derek Scott
- Subjects: Sebe, L L W (Lennox L W) , Statesmen -- South Africa -- Ciskei
- Language: English
- Type: Text
- Identifier: vital:7384 , http://hdl.handle.net/10962/d1017273
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Spirits - Rejoice
- Moholo, Louis, Williams, Richard
- Authors: Moholo, Louis , Williams, Richard
- Subjects: McGregor, Chris--1936-1990 , Pukwana, Dudu , Moholo, Louis T.--1940- , Moyake, Nikele , Feza, Mongezi , Miller, Harry , Dyani, Johnny Mbizo , Feni, Dumile , Patience, Princess , Jazz musicians
- Language: English
- Identifier: vital:13562 , http://hdl.handle.net/10962/d1006446 , McGregor, Chris--1936-1990 , Pukwana, Dudu , Moholo, Louis T.--1940- , Moyake, Nikele , Feza, Mongezi , Miller, Harry , Dyani, Johnny Mbizo , Feni, Dumile , Patience, Princess , Jazz musicians
- Description: Photocopied album cover of Spirits/Rejoice. On the first page Louis Moholo is dedicating the "music to the memory of [his] brothers and sister". On the second page, from left to right, a photo of Dudu Pukwana, Mongezi Feza and Harry Miller and on the third page, from left to right Johnny Dyani and Chris McGregor. On the fourth page there is a picture of Louis Moholo and on the last page a photo of the Blue Notes in 1964.
- Full Text:
- Authors: Moholo, Louis , Williams, Richard
- Subjects: McGregor, Chris--1936-1990 , Pukwana, Dudu , Moholo, Louis T.--1940- , Moyake, Nikele , Feza, Mongezi , Miller, Harry , Dyani, Johnny Mbizo , Feni, Dumile , Patience, Princess , Jazz musicians
- Language: English
- Identifier: vital:13562 , http://hdl.handle.net/10962/d1006446 , McGregor, Chris--1936-1990 , Pukwana, Dudu , Moholo, Louis T.--1940- , Moyake, Nikele , Feza, Mongezi , Miller, Harry , Dyani, Johnny Mbizo , Feni, Dumile , Patience, Princess , Jazz musicians
- Description: Photocopied album cover of Spirits/Rejoice. On the first page Louis Moholo is dedicating the "music to the memory of [his] brothers and sister". On the second page, from left to right, a photo of Dudu Pukwana, Mongezi Feza and Harry Miller and on the third page, from left to right Johnny Dyani and Chris McGregor. On the fourth page there is a picture of Louis Moholo and on the last page a photo of the Blue Notes in 1964.
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Spirits in action
- Authors: Vickery, Steve , Wilmer, Val
- Language: English
- Type: Article
- Identifier: vital:13665 , http://hdl.handle.net/10962/d1012577
- Description: Photocopied article from the magazine Coda. This article is based on the book written by Maxine McGregor, Chris McGregor's wife "My Life With A South African Jazz Pioneer" (Bamberger Books). The article is reviewing Chris McGregor's life and his relations with the other members of the band Blue Notes who exiled in Europe, such as Dudu Pukwana, Mongezi Feza, Louis Moholo or Nick Moyake. There are 4 pictures with this article. A photo of Chris McGregor outside with a horse is on the first page; on the second page there is a picture of the Blue Notes; a photo of Dudu Pukwana and Mongezi Feza is on the third page and on the last page, a photo is showing Louis Moholo (in the front) with the band Viva la Black.
- Full Text:
- Authors: Vickery, Steve , Wilmer, Val
- Language: English
- Type: Article
- Identifier: vital:13665 , http://hdl.handle.net/10962/d1012577
- Description: Photocopied article from the magazine Coda. This article is based on the book written by Maxine McGregor, Chris McGregor's wife "My Life With A South African Jazz Pioneer" (Bamberger Books). The article is reviewing Chris McGregor's life and his relations with the other members of the band Blue Notes who exiled in Europe, such as Dudu Pukwana, Mongezi Feza, Louis Moholo or Nick Moyake. There are 4 pictures with this article. A photo of Chris McGregor outside with a horse is on the first page; on the second page there is a picture of the Blue Notes; a photo of Dudu Pukwana and Mongezi Feza is on the third page and on the last page, a photo is showing Louis Moholo (in the front) with the band Viva la Black.
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Sponono and African Jazz
- Authors: Walker, Oliver
- Language: English
- Type: Article
- Identifier: vital:13668 , http://hdl.handle.net/10962/d1012580
- Description: Photocopied article from the newspaper The Star about a concert by Chris McGregor's Blue Note jazz band and hymnal choruses from Sponono, organized by Union Artists. 25 men and women shared folk musics and jazz on stage in the University Hall.
- Full Text:
- Authors: Walker, Oliver
- Language: English
- Type: Article
- Identifier: vital:13668 , http://hdl.handle.net/10962/d1012580
- Description: Photocopied article from the newspaper The Star about a concert by Chris McGregor's Blue Note jazz band and hymnal choruses from Sponono, organized by Union Artists. 25 men and women shared folk musics and jazz on stage in the University Hall.
- Full Text:
Sponono Farewell Concert Programme
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Dollar Brand , Blue Notes (Musical group : South Africa) , Jazz
- Language: English
- Type: Article
- Identifier: vital:13743 , http://hdl.handle.net/10962/d1012758
- Description: Photocopied article about the emergence of the new South African jazz sound overseas, led by Dollar Brand who recorded the very first jazz South African LP. Chris McGregor with his band the Blue Notes is developing this new style.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Dollar Brand , Blue Notes (Musical group : South Africa) , Jazz
- Language: English
- Type: Article
- Identifier: vital:13743 , http://hdl.handle.net/10962/d1012758
- Description: Photocopied article about the emergence of the new South African jazz sound overseas, led by Dollar Brand who recorded the very first jazz South African LP. Chris McGregor with his band the Blue Notes is developing this new style.
- Full Text:
St. Andrew's College/Rhodes University 100 years
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7376 , http://hdl.handle.net/10962/d1017256
- Full Text:
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7376 , http://hdl.handle.net/10962/d1017256
- Full Text:
St. Andrews College Speech Day, Thursday October 7th 1976: "the future belongs to those who prepare for it"
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7340 , http://hdl.handle.net/10962/d1017069
- Full Text:
- Authors: Henderson, Derek Scott
- Language: English
- Type: Text
- Identifier: vital:7340 , http://hdl.handle.net/10962/d1017069
- Full Text:
Startin' to roll...
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Pukwana, Dudu , Jazz
- Language: English
- Type: Article
- Identifier: vital:13744 , http://hdl.handle.net/10962/d1012759
- Description: Photocopied article from the newspaper The Post about the Jazz festival at Johannesburg's Dorkay House. There is also a picture of (from left to right) Dudu Pukwana and Chris McGregor with this article.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Pukwana, Dudu , Jazz
- Language: English
- Type: Article
- Identifier: vital:13744 , http://hdl.handle.net/10962/d1012759
- Description: Photocopied article from the newspaper The Post about the Jazz festival at Johannesburg's Dorkay House. There is also a picture of (from left to right) Dudu Pukwana and Chris McGregor with this article.
- Full Text:
Stigma syndemics & symbolic (isms) in the context of HIV: ways of knowing in health care
- Authors: Naidoo, Joanne Rachel
- Subjects: Stigma (Social psychology) , HIV-positive persons -- Care , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/55010 , vital:48778
- Description: The negating effect of stigma on health outcomes has been widely established. Described as a hidden burden of disease, stigma significantly influences the inequities in health. The seminal work of Sociologist, Erving Goffman’s initially published in 1963 continue to underpin our current understanding of stigma as socially influenced through the symbolic interactions of everyday experiences that influences behaviour. Within the context of HIV, stigma remains a barrier in ending the epidemic and is associated with diminished health outcomes, health seeking patterns and poor quality of life. The significant advances in HIV treatment, has increased the life expectancy of people living with HIV, and has shifted the management of HIV as a manageable chronic illness. However the negative stigma outcomes experienced by people living with HIV remains. Moreover, the interactions of other syndemics (that is the co-existence of another disease/s, or social factors) further contributes to the stigma experienced by people living with HIV. This may refer to the co-existence of TB, depressive or other mental health disorder, younger woman, pregnancy, and occupations or work type industry, such as mini-bus taxi drivers, sex workers to name a few syndemics. Central to the health are the values and attributes of caring, towards the restorative process for sustained health and improved wellbeing. To enable care, there is a need for health care professionals to know how to care. Patterns of Knowing or Ways of Knowing developed by nurse theorist Barbra Carper (1975, 1978) and extended by Chinn and Kramer (2008) has become widely applied in nursing and health professions education and training. Ways of knowing acknowledges five inter related facets (empirical, ethical, personal, aesthetic and emancipatory) inherent in the provision of holistic care. The lecture will reflect on the syndemics associated with HIV related stigma, and the symbolic interactions with health care; in the provision of health care and in education and training of health care professionals. This will be framed against ways of knowing, how health care professionals know how to care, the inherent and learnt symbolic meanings in how care is provided, and its potential to demystify and eliminate the perpetuated HIV related stigma.
- Full Text:
- Authors: Naidoo, Joanne Rachel
- Subjects: Stigma (Social psychology) , HIV-positive persons -- Care , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/55010 , vital:48778
- Description: The negating effect of stigma on health outcomes has been widely established. Described as a hidden burden of disease, stigma significantly influences the inequities in health. The seminal work of Sociologist, Erving Goffman’s initially published in 1963 continue to underpin our current understanding of stigma as socially influenced through the symbolic interactions of everyday experiences that influences behaviour. Within the context of HIV, stigma remains a barrier in ending the epidemic and is associated with diminished health outcomes, health seeking patterns and poor quality of life. The significant advances in HIV treatment, has increased the life expectancy of people living with HIV, and has shifted the management of HIV as a manageable chronic illness. However the negative stigma outcomes experienced by people living with HIV remains. Moreover, the interactions of other syndemics (that is the co-existence of another disease/s, or social factors) further contributes to the stigma experienced by people living with HIV. This may refer to the co-existence of TB, depressive or other mental health disorder, younger woman, pregnancy, and occupations or work type industry, such as mini-bus taxi drivers, sex workers to name a few syndemics. Central to the health are the values and attributes of caring, towards the restorative process for sustained health and improved wellbeing. To enable care, there is a need for health care professionals to know how to care. Patterns of Knowing or Ways of Knowing developed by nurse theorist Barbra Carper (1975, 1978) and extended by Chinn and Kramer (2008) has become widely applied in nursing and health professions education and training. Ways of knowing acknowledges five inter related facets (empirical, ethical, personal, aesthetic and emancipatory) inherent in the provision of holistic care. The lecture will reflect on the syndemics associated with HIV related stigma, and the symbolic interactions with health care; in the provision of health care and in education and training of health care professionals. This will be framed against ways of knowing, how health care professionals know how to care, the inherent and learnt symbolic meanings in how care is provided, and its potential to demystify and eliminate the perpetuated HIV related stigma.
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