Showing items 121 - 138 of 138

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Onyiego Obara

- Nyawaga Mgele, Hugh Tracey

  • Authors: Nyawaga Mgele , Hugh Tracey
  • Date: 1950
  • Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/178075 , vital:42905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR167-06
  • Description: "When Onyiego Obara invited me to play my lyre at his house there was a large audience. I was surprised for I had never been to town before." The lyre is played horizontally with the bowl and one arm resting on the floor. It is held in this position by the left hand over the top of the upper arm of the lyre and by the foot. Topical song with Thum 8 string lyre, legs bells (-12.55-) and Oduong toe ring (-12.151-).
  • Full Text: false
  • Date Issued: 1950

Peni ka peni

- Osito Adie with Luo men, Hugh Tracey

Peny gi Polo

- Elisha Nyakango, Hugh Tracey

Peter Okola

- Nyawaga Mgele, Hugh Tracey

  • Authors: Nyawaga Mgele , Hugh Tracey
  • Date: 1950
  • Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Siaya f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177880 , vital:42885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-13
  • Description: The player sits on a wooden pillow with small metal bells strung onto the calf of his right leg. He also has an iron ring on the big toe with which he strikes the lower arm of the lyre which is resting on the floor. 'Peter Okole, an African sub inspector of police was invited to a party to play hs lyric. He was embrassed at the beginning of the meal when he was asked to say grace as he did not know one. He remembers what a high class family this was and how people should learn manners from them. Morality song with Thum 8 string lyre, leg bells (-12.55-) and Adoung toe ring (-12.151-).
  • Full Text: false
  • Date Issued: 1950

Piere Dongo

- Onudi Ondiek and Luo men, Hugh Tracey

  • Authors: Onudi Ondiek and Luo men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/178828 , vital:42990 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-10
  • Description: "Piere Dongo the fat man is very fond of reading but he, also, has neither shield nor ostrich feathers. What will he do for mourning when his mother dies? Tell me that! Books cannot take the place of Buni feathers." The playing of drums by these Nilotic people is usually far simpler in rhythm than of the Bantu. It appears to be essential in Luo society near Kisii to have your shield and your ostrich feathers with you when you attend a funeral. Bul dance song for men with Bunde 5 bass drums, laced and Gara leg bells (-12.55-).
  • Full Text: false
  • Date Issued: 1950

Pini ochama (I was without hope)

- Lang Obiero, Hugh Tracey

  • Authors: Lang Obiero , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya Kisumu f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/178863 , vital:42994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-14
  • Description: This dance tune, together with the three previous items are included on this disc to demonstrate the type of urban dance music which was played by the more gifted Luo musicians and was popular in Nairobi in the early 1950's. Ton dance, with 2 guitars and rattle.
  • Full Text: false
  • Date Issued: 1950

Sila abingo

- Omolo Ogado with Luo men, Hugh Tracey

Tong, tong

- Bondo Choir of Luo girls, leader, John Cosmos Owade, Hugh Tracey

Were Ojuondo

- Odonde Obat, Hugh Tracey

Were ruoth Jesu

- Elisha Nyakango, Hugh Tracey

Clement Nduku

- Olallo, Ogala, Composer not specified, Tracey, Hugh

James Rambo

- Olallo, Ogala, Composer not specified, Tracey, Hugh

Okwaro Jayuak

- Sigar, Joseph, Composer not specified, Tracey, Hugh

Paskal Wamban

- Sigar, Joseph, Composer not specified, Tracey, Hugh

Peter Radigo Gi Lorna Ochola

- Sigar, Joseph, Composer not specified, Tracey, Hugh

Tam Michael

- Obiera, Lang, Composer not specified, Tracey, Hugh

Tam Michael

- Obiera, Lang, Composer not specified, Tracey, Hugh

Wanyera kinyanyi

- Sigar, Joseph, Composer not specified, Tracey, Hugh

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