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Hlakanyana (The wonderful child)

- Nolokoza, Hugh Tracey

  • Authors: Nolokoza , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136091 , vital:37336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-07
  • Description: At the begining of the story, a hen which had been walking about between and over the closely packed women in the hut (who were all sitting on the ground) rushed out again, cackling. The story teller can be heard cracking her fingers, snapping them,clapping her hands and so on. Her gestures were very expressive. The story is about a wonderful child. The very day he was born, he said: "Give me my trousers, I'm off to the mines." On the way he met a white man who was looking for 40 boys. "All right, my boss, here I am." - So he was given 40 sickles and in a trice he had reaped all the corn and came back for more work. He did otehr wonderful things and his employer then began to realise he would have to pay him 40 salaries! So he employer laid various traps for him, like digging a hole for him to fall into so that he should be buried alive, but he evaded them all. And in the end he was paid in full. - "a lump sum" and went off home with just reward. A story.
  • Full Text: false
  • Date Issued: 1957

Hlungulwana (A small hawk)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136069 , vital:37334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-04
  • Description: The words are simple and repetitive, the 'magic' of these quite songs for the Xhosa lies in thier repetitive and drowsy charm,conducing to dreaming, either waking or asleep. Self-delectative song with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Icamagilivumile (Thank you for what you have done)

- Group of Mpondo and Sotho men led by Siganeko Nonkonyana, Hugh Tracey

  • Authors: Group of Mpondo and Sotho men led by Siganeko Nonkonyana , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136493 , vital:37384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-07
  • Description: "The sick people are coming tomorrow-They are bringing money." The day's recording at the Great Place of the Paramount Chief of the Mpondo ended with 3 songs by this group of Mpondo and Sotho men. Diviner's (Herbalist's) song with clapping and drums.
  • Full Text: false
  • Date Issued: 1957

Ihobe liyataka (Dove, don't run away, don't hop about)

- Group of young Mpondo married women, Hugh Tracey

  • Authors: Group of young Mpondo married women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
  • Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
  • Full Text: false
  • Date Issued: 1957

Ikomo siyaibulaa (Let the cattle be killed)

- Group of Mpondo men and 3 girls, Hugh Tracey

Ikona into ezakwenzeka

- Group of 7 young men (Performers), Composer not specified, Hugh Tracey

Imfakadolo (Little bird)

- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey

Impazamo (A mistake)

- Irene Buyswa Ndumo, Raymond Sipo Botha, Andries Maesilo Moyake, Fezile Faete Mbelekane, Kenneth Phindile Mgole, Jury Mpelho, Hugh Tracey

Ingeji yam = My engagement ring

- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey

Ingeji yam = My engagement ring

- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey

Ingoboyama boke (Two children must sleep under 1 goat skin)

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134965 , vital:37222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-06
  • Description: These recordings were made at the "Great Place", of Chief Botha, Paramount Chief of the Mpondo. This large group of Izangoma followers both men and women, was composed of a mixture of Sotho and Mpondo, led by Khotso Sethuntsa. Chief Botha Marzolwandle Sigcau Paku is his full name. "The Great Place" is the name given throughout the Xhosa territories to the chief's headquarters. Khotso-Sethuntsa, name of the chief Sangoma, a man who comes from Kokstad and is a Sotho himself. He is a notable character, reputed to be extremely wealthy, and has much influence in the neighbourhood. Divination song sung at night, with clapping and 5 drums
  • Full Text: false
  • Date Issued: 1957

Injeke, injeke, he (Like this, like this)

- Group of young Mpondo boys, Hugh Tracey

Inkulu into ezakwenzeka

- Nontwintwi and Annie Macholweni (Performers), Composer not specified, Hugh Tracey

Intlanganiso ya magqiha ye Izangoma (Herbalists' meeting

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Umtata f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134821 , vital:37209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-01
  • Description: Extracts from the proceedings at the first conference of Izangoma Diviners, to be held in Umtata, Transkei. The speech and songs were entirely impromptu and demonstrate the type of speech employed by such herbalists and their supporting singers or assistants. Herbalists' meeting, with songs, speech, with clapping, stamping and 1 bass drum.
  • Full Text: false
  • Date Issued: 1957

Intlanganiso ya magqika ye Izangoma (Herbalist's meeting)

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Umtata f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134945 , vital:37220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-05
  • Description: Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies.- the music and speeches helping to create an atmosphere of serious contemplation and thereby assisting in the cure of the patient. Proceedings for herbalists, with songs and speech, with clapping, stamping and 1 bass drum.
  • Full Text: false
  • Date Issued: 1957

Intlnganiso ya magqiha ye Isangoma (Proceddings at Herbalist's meeting)

- Led by Masamaigazi and Nowinile, Hugh Tracey

Intlnganiso ya magqiha ye Isangoma (Proceedings at Herbalist's meeting)

- Led by the 'President' L. S. Khontsiwe and men and woman herbalists, Hugh Tracey

Intombi zipelile (The girls are finished)

- Group of young Mpondo men and girls, Hugh Tracey

  • Authors: Group of young Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136362 , vital:37368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-02
  • Description: The young men were mostly wearing pale blue blankets and carrying sticks; the girls were beautifully beaded. They wore their hair in many fine plaits hanging on either side of the face. Over this was worn the tubular bead headring or headband, (if the girl was unmarried) mostly in pale blue and white beads, many strands of sky blue and white beads wound about their necks to form choker collars. Song for Indlam' dance, with clapping of sticks.
  • Full Text: false
  • Date Issued: 1957

Intombi zipelile (The girls are finished)

- Composer not specified, Hugh Tracey

Intsimbi ka Ntiskana (Ntsikana's bells and Ntsikana's song)

- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Bokwe, S. T., Bekwe, J. K., Hugh Tracey

  • Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Bokwe, S. T. , Bekwe, J. K. , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Music--Religious aspects , Africa South Africa King Williams Town f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135727 , vital:37293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-01
  • Description: Ntsikana was the first Christian convert of the Xhosa tribes. "The song was chanted by Ntsikana regularly at dawn of day, standing at his hut door, summoning the people to morning prayer. As people gathered they joined in the strains, adding different parts. Extracts taken from the songbook "Amaculo ase Lovedale.", published by the Lovedale Press.- It is notable that Ntsikana had never heard a church bell. The tune is of African origin. Religious descriptive chant and song.
  • Full Text: false
  • Date Issued: 1957
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