Nidapalamula II
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Tangu kwata m'cembele
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Tate o mwale de
- Shawa, Govati, Chewa women, Hugh Tracey
- Authors: Shawa , Govati , Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186469 , vital:44502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-06
- Description: This song is sung by people after drinking on their way home; the crowd echoing the words of the two principle singers. This style of singing is very common among the Nyanja people near Zomba. Drinking song
- Full Text: false
- Date Issued: 1950
- Authors: Shawa , Govati , Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186469 , vital:44502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-06
- Description: This song is sung by people after drinking on their way home; the crowd echoing the words of the two principle singers. This style of singing is very common among the Nyanja people near Zomba. Drinking song
- Full Text: false
- Date Issued: 1950
Timuke nanu oiya
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Tiye kwanu mtengwa
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950