Theme and protest in the South African post-apartheid novel: a case study of the writings of three black South African novelists
- Authors: Moyo, Mbongeni https://orcid.org/0000-0003-2256-9671
- Date: 2021-06
- Subjects: Postcolonialism in literature , Apartheid in literature , Protest literature, South African (English)
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/22023 , vital:51937
- Description: This study analyses a selected cohort of black South African novelists‟ depiction of the real burning issues of the post-Apartheid South Africa. The ideas that the study is concerned with in the novel under study, are based on the aspect of theme and how it is utilised by the respective authors to address the social, economic and political issues in the post-Apartheid South Africa. The study is an investigation of the extent to which black South African novelists have depicted the aforementioned issues. The research highlights those issues that the novels under study addressed and continues by revealing how the authors depict these issues in their texts. Moreover, the study concludes that literature has a role to play in the society and recommends that it should be reliable and useful to the society. It further recommends that literature should not ignore societal issues and should be corrective in its approach. The study is comprised of six chapters: Chapter One functions as an introduction to the study. It provides information on the aims and objectives of the study, the background information on the novels under study and South African literature itself. The chapter also outlines the method and the theories, which will be used in the study. It concludes by addressing the significance of the study. Chapter Two provides a detailed analysis of the theories, which will be used in the study. This includes the Marxism and Realism theory, Afrocentric theory and the Feminist Literary theory. It also defines the concept of theme and outlines its characteristics. It discusses post-colonial literature and its development in Africa. The chapter will conclude with a disclosure of the role of theme and of the author in the African novel. Chapter Three addresses the depiction of burning issues in Mpe‟s novel “Welcome to Our Hillbrow”. It discusses the real post-colonial challenges confronting the society during the post-Apartheid South Africa. It determines whether the novel under study adequately addresses these issues. Chapter Four identifies and addresses the depiction of burning post-colonial issues in Magona‟s novel “Beauty‟s Gift”. It unveils the themes that are dealt with in the novel under study thereby linking them effectively to the current situation in the new South Africa. Chapter Five unveils the central themes in Mahala‟s Novel “When a Man Cries” and it illustrates how the author protests against the ills of post-Apartheid South Africa. Chapter Six serves as the conclusion of the study and brings out the findings and recommendations of the study. , Thesis (PhD) -- Faculty of Social Sciences and Humanities, 2021
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- Date Issued: 2021-06
Apartheid legacies and identity politics in Kopano Matlwa's Coconut, Zoë Wicomb's Playing in the light and Jacques Pauw's Little ice cream boy
- Authors: Scott, Simone
- Date: 2012
- Subjects: Apartheid in literature , Identity politics -- South Africa -- History , South African fiction (English -- History and criticism)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8424 , http://hdl.handle.net/10948/d1019955
- Description: An analysis of the preoccupation writers of South African fiction display after the process started by the Truth and Reconciliation Commission is vital in post-apartheid South African writing. It becomes clear that a fascination with the past is not bound to any one specific racial or gender group within post-apartheid South Africa. Authors can therefore be said to continue the excavation work that the TRC started many years ago. The severe impact that the rigid classification of human beings into different groups based on race had, and continues to have, becomes evident in contemporary South African writing. The fact that white privilege always comes at a cost for those wanting to attain or maintain it cannot be overlooked and whiteness as a construct is examined.
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- Date Issued: 2012
Crime, violence and apartheid in selected works of Richard Wright and Athol Fugard: a study
- Authors: Makombe, Rodwell
- Date: 2011
- Subjects: Apartheid in literature , Politics and literature -- South Africa , Race discrimination -- South Africa , Crime -- South Africa , Violence -- South Africa
- Language: English
- Type: Thesis , Doctoral , DLitt et Phil (English)
- Identifier: vital:11888 , http://hdl.handle.net/10353/525 , Apartheid in literature , Politics and literature -- South Africa , Race discrimination -- South Africa , Crime -- South Africa , Violence -- South Africa
- Description: Different forms of racial segregation have been practiced in different countries the world over. However, the nature of South Africa‟s apartheid system, as it was practiced from 1948 until the dawn of the democratic dispensation in 1994, has been a subject of debate in South Africa and even beyond. Apartheid was a policy that was designed by the then ruling Nationalist Party for purposes of dividing and stratifying South Africa along racial lines - whites, blacks, coloureds and Asians. It thus promoted racial segregation and/or unequal stratification of society. In South Africa‟s hierarchy of apartheid, blacks, who constituted the majority of the population, were ironically the most destitute and segregated. Some historians believe that South Africa‟s racial policy was designed against the backdrop of Jim Crow, a similar system of racial discrimination which was instituted in the American South late in the 1890s through the 20th century. Jim Crow and apartheid are, in this study, considered as sides of the same coin; hence for the sake of convenience, the word apartheid is used to subsume Jim Crow. Although South Africa‟s apartheid system was influenced by different ideologies, for example German missiology as applied by the Dutch Reformed Church, historian Hermann Giliomee (2003: 373) insists that „the segregationist practice of the American South was particularly influential.‟ Given the ideological relationship between apartheid and Jim Crow, the present study investigates the interplay of compatibility between apartheid/Jim Crow and crime and violence as reflected in selected works of Richard Wright (African American novelist) and Athol Fugard (South African playwright). The aim of the study is firstly, to examine the works in order to analyse them as responses to apartheid and by extension colonial domination and secondly to investigate crime and violence. The three criminological theories selected for this study are strain theory (by Robert Merton), subculture theory (Edwin Sutherland) and labelling theory (Howard Becker). While criminological theory provides an empirical dimension to the study, postcolonial theory situates the study within a specified space, which is the postcolonial context. The postcolonial is, however understood, not as a demarcated historical space, but as a continuum, from the dawn of colonization to the unforeseeable future. Three postcolonial theorists have been identified for the purposes of this study. These are: Frantz Fanon, Homi Bhabha and Bill Ashcroft. Fanon‟s psychoanalysis of the colonized, Homi Bhabha‟s Third Space and hybridity as well as Ashcroft‟s postcolonial transformation are key concepts in understanding the different ways in which the colonized deal with the consequences of colonization. It has been suggested particularly in Edward Said‟s Orientalism (1978) that the discourse of orientalism creates the Oriental, as if Orientals were a passive object of the colonial adventure. This study uses Bhabha‟s and Ashcroft‟s theory of colonial discourse to argue that the colonized are not only objects of the colonial enterprise but also active participants in the process of opening survival spaces for self-realization. The various criminal activities that the colonized engage in (as represented in the selected works of Richard Wright and Athol Fugard) are in this study viewed as ways of inscribing their subjectivity within an exclusive colonial system.
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- Date Issued: 2011
Racial exploitation and double oppression in selected Bessie Head and Doris Lessing texts
- Authors: Kirton, Teneille
- Date: 2010
- Subjects: Authors, South African -- 20th century Biography , Apartheid in literature , Exploitation , Women authors, South African -- 20th century Biography , Racism in literature
- Language: English
- Type: Thesis , Masters , MA (English)
- Identifier: vital:11502 , http://hdl.handle.net/10353/232 , Authors, South African -- 20th century Biography , Apartheid in literature , Exploitation , Women authors, South African -- 20th century Biography , Racism in literature
- Description: During the era of discrimination and disparity in Southern Africa, racial inequality silenced many black writers. It was the white authors that dominated the literary environment presenting their biased views on social and political concerns; the black authors standpoints were seen as unimportant and they were deemed inferior to the white authors. Consequently, it was particularly difficult for black writers to voice their experiences of living in a society riddled with oppression, prejudice and unequal opportunities. The purpose of this study is to critically compare selected texts by African authors Doris Lessing and Bessie Head, which depict the political and social struggles within Southern African society during the era of unequal opportunities. Lessing and Head’s works present incidents of life experiences in Southern Africa from two contrasting viewpoints. The selected texts explored are: The Grass is Singing and “The Old Chief Mshlanga” by Doris Lessing, a white author, in contrast and comparison to the texts: A Question of Power and “The Collector of Treasures” by Bessie Head, a coloured author. The research for this thesis is conducted from an ethnic literary perspective with careful consideration to critical race theory and cultural studies. From this perspective, the focus of the study is on the struggles that affected both the victim and perpetrator during the apartheid era as well as on the idea that those in power determined what was deemed acceptable and unacceptable, behaviourally and ideologically. Specifically, the plight experienced by the female characters living in a patriarchal society, and the segregation and racial inequality faced by the characters of colour is explored by analysing these characters’ influences, pressures and societal manipulations and constraints in the texts. Thus, this study will provide a more in-depth understanding of Southern African society during the apartheid era and the strategic use of literature to spotlight the subjugation and disparity.
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- Date Issued: 2010