Africa‘s Heritage No. 3: Religion, music and art in America
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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