Andiyera ndabuda nchito
- Kaiya Maritenzi and Ngoni men and women, Hugh Tracey
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154920 , vital:39793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-13
- Description: The singers came from the region on Portuguese territory adjacent to Nyasaland called Angonia near the Dedza District where a large concentration of Ngoni people are to be found. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154920 , vital:39793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-13
- Description: The singers came from the region on Portuguese territory adjacent to Nyasaland called Angonia near the Dedza District where a large concentration of Ngoni people are to be found. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
Anya vindelu tayani uyanga (Be careful, you who wear beards)
- Jefaserase Lungu and 4 Ngoni men, Hugh Tracey
- Authors: Jefaserase Lungu and 4 Ngoni men , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Roan Antelope Mine, Northern Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154947 , vital:39796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-16
- Description: There is a belief that those who wear moustaches or beards are given to the practise of witchcraft. And the song warns them to be careful or they will not receive proper burial when they die, but their bodies will be thrown away in the bush. The leader of this song of Ngoni dancers was a much older man than the dancers. Mbanda dance song with leg rattles.
- Full Text: false
- Date Issued: 1959
- Authors: Jefaserase Lungu and 4 Ngoni men , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Roan Antelope Mine, Northern Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154947 , vital:39796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-16
- Description: There is a belief that those who wear moustaches or beards are given to the practise of witchcraft. And the song warns them to be careful or they will not receive proper burial when they die, but their bodies will be thrown away in the bush. The leader of this song of Ngoni dancers was a much older man than the dancers. Mbanda dance song with leg rattles.
- Full Text: false
- Date Issued: 1959
Awe simene
- Robert Golozera and 3 elderly women with the chief, Tracey, Hugh
- Authors: Robert Golozera and 3 elderly women with the chief , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154838 , vital:39784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-04
- Description: Sung in the old Ngoni style. The Chief calls one out towards the end of the song that his people are the ones who came from the Swati, down South (with the Gomani section of the Ngoni). This section migrated from Natal either just before or during the Shaka wars. "Some had brought fighting men to terrify me, but could do nothing. But here we still live and you could do nothing to us." Two fighting songs.
- Full Text: false
- Date Issued: 1959
- Authors: Robert Golozera and 3 elderly women with the chief , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154838 , vital:39784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-04
- Description: Sung in the old Ngoni style. The Chief calls one out towards the end of the song that his people are the ones who came from the Swati, down South (with the Gomani section of the Ngoni). This section migrated from Natal either just before or during the Shaka wars. "Some had brought fighting men to terrify me, but could do nothing. But here we still live and you could do nothing to us." Two fighting songs.
- Full Text: false
- Date Issued: 1959
Ayalero makulata
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154874 , vital:39788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-08
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154874 , vital:39788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-08
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
Buyani Sangweni (Come to the gate)
- Elderly men of Chief Njolomole, Hugh Tracey
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
Chikangaide (The bird)
- Authors: Young police , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Poilce Headquaters, Zomba, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154956 , vital:39797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-17
- Description: Once there were some children who took their mother's clothes and gave them to a bird, and the bird started singing and said, "The children were playing and took their mother's clothes and gave them to me knowing nothing because I am only a bird from the bush." The father came and waited for the bird to kill it, but hearing the bird singing so prettily he forgot his anger and in fact went anf gave the bird still more clothes. This is a variation of the old theme of the enchantment of music. It perhaps does not indicate an aeshetic pleasure in the natural song of the blind but rather in the words of the song which it is supposed to have sung. Nthano story song with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Young police , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Poilce Headquaters, Zomba, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154956 , vital:39797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-17
- Description: Once there were some children who took their mother's clothes and gave them to a bird, and the bird started singing and said, "The children were playing and took their mother's clothes and gave them to me knowing nothing because I am only a bird from the bush." The father came and waited for the bird to kill it, but hearing the bird singing so prettily he forgot his anger and in fact went anf gave the bird still more clothes. This is a variation of the old theme of the enchantment of music. It perhaps does not indicate an aeshetic pleasure in the natural song of the blind but rather in the words of the song which it is supposed to have sung. Nthano story song with clapping.
- Full Text: false
- Date Issued: 1959
Chilungulungu madje (The water snake)
- Chintuta Banda and group of Ngoni men and women, Hugh Tracey
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154900 , vital:39791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-11
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154900 , vital:39791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-11
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
Edele Nkosi
- Robert Golozera and 3 elderly women with the chief, Hugh Tracey
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
Mulumuzana kamana (The elder is mean)
- Janet Nasawati and 3 women, Hugh Tracey
- Authors: Janet Nasawati and 3 women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154811 , vital:39781 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-01
- Description: J. Nasawati is the sister of the Chief Njolomole. "Eyae yae! The elder is a mean man, he does not give even a single bead away, he is a very mean man!" There appears to be no connection between the words of the song and the initiation of he girls, which may argue great age for the song. Girls initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Janet Nasawati and 3 women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154811 , vital:39781 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-01
- Description: J. Nasawati is the sister of the Chief Njolomole. "Eyae yae! The elder is a mean man, he does not give even a single bead away, he is a very mean man!" There appears to be no connection between the words of the song and the initiation of he girls, which may argue great age for the song. Girls initiation song.
- Full Text: false
- Date Issued: 1959
Ndapanda kobidi ndini (I discovered the pain myslef)
- Kaiya Maritenzi and Ngoni men and women, Hugh Tracey
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154910 , vital:39792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-12
- Description: The leader works as a trumpeter at the headquaters of the administrator of Furancungo. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154910 , vital:39792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-12
- Description: The leader works as a trumpeter at the headquaters of the administrator of Furancungo. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
Ndiribe m'mbale (I have no neighbour)
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154929 , vital:39794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-14
- Description: The song refers to a court case taken by the chief of the village. "I have no neighbour to rescue me at the court. Those without witnesses stay behind. Ae aia." Ngoma dance.
- Full Text: false
- Date Issued: 1959
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154929 , vital:39794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-14
- Description: The song refers to a court case taken by the chief of the village. "I have no neighbour to rescue me at the court. Those without witnesses stay behind. Ae aia." Ngoma dance.
- Full Text: false
- Date Issued: 1959
Ndoto (I am full)
- Chintuta Banda and group of Ngoni men and women, Hugh Tracey
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154888 , vital:39790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-10
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154888 , vital:39790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-10
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
Nkosi wotolera (The false chief)
- Chiwandira Mvula, Hugh Tracey
- Authors: Chiwandira Mvula , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dowa, Mzimba District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154938 , vital:39795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-15
- Description: Some words are in Ngoni and some in the local Chewa. The apparent meaning of the words refers to some old dispute about a chieftsmanship, the false chief having died and the rightful chief re-instated. The player was very old and it seems his song refers to some event in past history of his early days or even before. Ngoma dance with Kalimba Mbira.
- Full Text: false
- Date Issued: 1959
- Authors: Chiwandira Mvula , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dowa, Mzimba District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154938 , vital:39795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-15
- Description: Some words are in Ngoni and some in the local Chewa. The apparent meaning of the words refers to some old dispute about a chieftsmanship, the false chief having died and the rightful chief re-instated. The player was very old and it seems his song refers to some event in past history of his early days or even before. Ngoma dance with Kalimba Mbira.
- Full Text: false
- Date Issued: 1959
Tengani madengu (Fetch baskets)
- Authors: M. Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154820 , vital:39782 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-02
- Description: "This is a song, he said, which was sung by the relatitives of the dead chief mourning their great loss. "Take a basket, let us go to the funeral Chief Njolomole has died, he has died Njolomole." This song was sung when the father of the present Chief died in 1929 (March 12th). The baskets, it was explained, refered to the baskets in which the property of the dead chief was carried by the mourners for burial with the chief in his grave. The younger brother of the chief led the singing and the chief himself can be heard singing a verse. The chief's uncle and councillor Robert Gokozera claimed towards the end of the item. Funeral song.
- Full Text: false
- Date Issued: 1959
- Authors: M. Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154820 , vital:39782 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-02
- Description: "This is a song, he said, which was sung by the relatitives of the dead chief mourning their great loss. "Take a basket, let us go to the funeral Chief Njolomole has died, he has died Njolomole." This song was sung when the father of the present Chief died in 1929 (March 12th). The baskets, it was explained, refered to the baskets in which the property of the dead chief was carried by the mourners for burial with the chief in his grave. The younger brother of the chief led the singing and the chief himself can be heard singing a verse. The chief's uncle and councillor Robert Gokozera claimed towards the end of the item. Funeral song.
- Full Text: false
- Date Issued: 1959
Udandani makulata
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154883 , vital:39789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-09
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154883 , vital:39789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-09
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
Watenga mbengo ndani (Who took the chief's towell?)
- Older men of Njolomole, Hugh Tracey
- Authors: Older men of Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154829 , vital:39783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-03
- Description: This kind of song, they say, was sung at the gathering to remember a dead person. The Chief's towell was a cloth which was wrapped around the blade of a short spear which the chief held in his hand in order to wipe the perspiration off his face while he danced. "Who took the chief's towell, Oyayo! who ever it is, bring back Oyayo! look everywhere where the chief's people are, until you find it." Chitoto obsequies after funeral with small iron bells.
- Full Text: false
- Date Issued: 1959
- Authors: Older men of Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154829 , vital:39783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-03
- Description: This kind of song, they say, was sung at the gathering to remember a dead person. The Chief's towell was a cloth which was wrapped around the blade of a short spear which the chief held in his hand in order to wipe the perspiration off his face while he danced. "Who took the chief's towell, Oyayo! who ever it is, bring back Oyayo! look everywhere where the chief's people are, until you find it." Chitoto obsequies after funeral with small iron bells.
- Full Text: false
- Date Issued: 1959
Wazizwa zitini zindata (What did you hear of the trouble)
- Elderly men of Chief Kachere, Hugh Tracey
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
Ahume bangu okonda kuyenda njinga nityale (My husband likes to roam)
- Group of 12 Ngoni women, Hugh Tracey
- Authors: Group of 12 Ngoni women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137455 , vital:37526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-02
- Description: "My husband likes to roam, so I shall break his bicycle." These women were Ngoni, but singing in Nsenga the language of their forebears. The singing of the Ngoni is especially interesting for the fact that they sing in 2 distinct styles, that of the Zulu (Ngoni), their father's tribe and that of their mother's tribes who were conquered by the Ngoni. Both strains are still clearly defined after nearly a century of integration. Women's party dance song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Ngoni women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137455 , vital:37526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-02
- Description: "My husband likes to roam, so I shall break his bicycle." These women were Ngoni, but singing in Nsenga the language of their forebears. The singing of the Ngoni is especially interesting for the fact that they sing in 2 distinct styles, that of the Zulu (Ngoni), their father's tribe and that of their mother's tribes who were conquered by the Ngoni. Both strains are still clearly defined after nearly a century of integration. Women's party dance song with clapping.
- Full Text: false
- Date Issued: 1957
Akaizari mbanda yasila (The Mbanda dance is finished)
- Group of 4 Ngoni men, Hugh Tracey
- Authors: Group of 4 Ngoni men , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Petanke f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137501 , vital:37531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-07
- Description: The dance song is sung to wind up the evening and to show the dancing is at the end. Mbanda dance song with Malaza leg rattles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 4 Ngoni men , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Petanke f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137501 , vital:37531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-07
- Description: The dance song is sung to wind up the evening and to show the dancing is at the end. Mbanda dance song with Malaza leg rattles.
- Full Text: false
- Date Issued: 1957
Amai netini kone chamba
- Authors: Josita Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa South Africa Northern Transvaal f-sa
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137529 , vital:37534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-10
- Description: A mother was cutting her child's hair. The child says: "Mother why do you do this? I want to go and play." Selef-delectative song with Bangwe board zither with 7 strings
- Full Text: false
- Date Issued: 1957
- Authors: Josita Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa South Africa Northern Transvaal f-sa
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137529 , vital:37534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-10
- Description: A mother was cutting her child's hair. The child says: "Mother why do you do this? I want to go and play." Selef-delectative song with Bangwe board zither with 7 strings
- Full Text: false
- Date Issued: 1957