Showing items 41 - 60 of 264

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Awe wedikoyoyo (No meaning)

- Pearson Kapeni, Hugh Tracey

  • Authors: Pearson Kapeni , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153788 , vital:39522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-03
  • Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only." I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Awe, iee, sankha wekha (Choose, yourself)

- Petros Samalaboma, Hugh Tracey

Awelemuwo ee dandaula (Awelemuwo worries to much)

- Young Chewa boys (Under 20 years), Hugh Tracey

  • Authors: Young Chewa boys (Under 20 years) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156914 , vital:40066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-12
  • Description: The Ilala dance started, they say in 1957 in the Fort Johnstone district. It is performed by youth standing in rows or circles and shaking their shoulders forwards and backwards and thrusting out their chins in time with syncopation of the Mudewa drums. This action requires great suppleness of the neck and upper spine to perform effectively. The movement is distinctive to Ilala and is neither like the rippling of the Xhosa or the shaking of the Chopi dancers. Ilala dance with two drums (Mudewa and Kachisi).
  • Full Text: false
  • Date Issued: 1958

Aye liyeye yawama

- Young Chewa women, Hugh Tracey

Be Cheketa (Cut my breast)

- Madura Rabecu and G. Coffee, Hugh Tracey

Bi-i-i! a Bikoko cigamba (Dirt! Bikoko, rags!)

- Five elderly Chewa women, Hugh Tracey

  • Authors: Five elderly Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160605 , vital:40482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-06
  • Description: A husband is scolding his wife in public. She replies that he should not scold her in public but at the house because he is in rags himself and she is not like him - he who wears short trousers all in tatters and patches. "Bi-i-i! A Bikoko, rags. Tatters, tatters, tatters! Don't you scold me in front of other people, I am not the same as you because you are all ragged and wear short trousers. Konsolo dance song with clapping.
  • Full Text: false
  • Date Issued: 1958

Bilimankhwe (The Chameleon)

- The boys of Kawere school, Hugh Tracey

Chanta andidaine kaya (God is punishing me)

- Bifi Phiri and friend, Hugh Tracey

  • Authors: Bifi Phiri and friend , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
  • Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Charo Charo (The country, country)

- Adija Nyamkhomo and Chewa women and children, Hugh Tracey

Chawaiye-chawaiye (Married-married)

- Three elderly women, Hugh Tracey

Chifundo chamanga (I long for my mother)

- Samson Zimba, Hugh Tracey

Chigona mbara (The drunkard)

- Simenti Phiri, Hugh Tracey

Chikangaude (The spider)

- Daliya Kafaniza, Hugh Tracey

  • Authors: Daliya Kafaniza , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158003 , vital:40138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-07
  • Description: A long time ago I went to the garden and there came a certain spider which turned into a man who told my children to give him some clothes to wear. The man told the children he had been sent by their mother. So he took the clothes and disappeared. "Children are children, they take their clothes from their clothes bag and give they away to anyone." Story song with clapping.
  • Full Text: false
  • Date Issued: 1958

Chimangala mangala (The cannibal)

- Daliya Kafaniza and Mang'anja women, Hugh Tracey

  • Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
  • Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
  • Full Text: false
  • Date Issued: 1958

Chinkanda amayi (The woman's beads)

- Three young Nyanja men, Hugh Tracey

  • Authors: Three young Nyanja men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
  • Language: Nyanja/Chewa/Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
  • Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
  • Full Text: false
  • Date Issued: 1958

Chitako Bitileshi (Beatrice's thighs)

- Joey Ngwira, Hugh Tracey

  • Authors: Joey Ngwira , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156876 , vital:40060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-09
  • Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. "Oh! the thighs of Beatrice. I could not sleep well last night." Self delectative song with board zither (Pango).
  • Full Text: false
  • Date Issued: 1958

Chumba (Barren)

- Denis Yolambo, Hugh Tracey

  • Authors: Denis Yolambo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153806 , vital:39524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-05
  • Description: "You have taken a barren woman and I am very tired of her barren, barren, but today I am tired of her. My friend will have children. Mother, mother, but today mother I want a child but today, I Davis, I am protesting, I came to this land (of his in-laws) with the money of my brother, brother, brother but today! You have just come for trouble, brother, but today I make it clear to you. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Cimbwiwe (The Hyena)

- Chewa girls, Hugh Tracey

Cinan'gomba (The Eagle)

- Jason Kafunda and Chewa boys, Hugh Tracey

  • Authors: Jason Kafunda and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153971 , vital:39549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-02
  • Description: A child hunting mice dug a hole and found an eagle inside. The bird told him not to tell his mother that he had found him. As the boy was on his way home the bird sang his song. When he met his mother she asked him why the bird was singing. The boy answered "Because I dug it out". The singing chased the bird until it was tired, so she caught it and killed it. S. "Cinang'omba cinang'omba coyaya ine, CH. Siico cinang'omba. S. Mwanawe, usakanene kwa amako kuti yaye Cimbalame ca banga pa msana ye. CH. Siico cinang'omba." "There is the eagle, there is the eagle. You, child, do not tell your mother that you have seen the eagle with spots on his back." Story and song (Nthanu)
  • Full Text: false
  • Date Issued: 1958

Coka Coka (Go away, go away)

- 9 small girls, Hugh Tracey

  • Authors: 9 small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
  • Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958
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