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Marola Bila Kile

- Richard Majafe, Hugh Tracey

Marumo (Spears)

- Makopo Macheli and group of about 12 men, Hugh Tracey

  • Authors: Makopo Macheli and group of about 12 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161148 , vital:40596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-01
  • Description: In the Lithoko following the song the speaker used the phrase: "Whe spring kisses the summer" a typical poetic phrase, they say characteristic of Lithoko praises. This Mokorotlo was accompanied by a slow and stately stamping dance, raising the legs slowly upwards, then with a bend of the knee they bring the foot back under the body and stamp. Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Masilo tswalela kgoro (Masilo close the gate)

- Jemina Pheha and 24 women, Hugh Tracey

Matichere le go tshwana diketlele (Teachers and the way they hold their teapots)

- Jemina Pheha and 24 women, Hugh Tracey

  • Authors: Jemina Pheha and 24 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
  • Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
  • Full Text: false
  • Date Issued: 1959

Mbiya ambwiya wo tiende (Grandmother, let us go)

- Jesi Tembo, Hugh Tracey

Mmamathlwane (The Bat)

- Large group of Hurutshe women, Hugh Tracey

Mme o leleka baeng (Mother drives away the visitors for me)

- Levi Modisane and group of men and women, Hugh Tracey

Mmemogolo golo gana kobo (My grandmother has no blanket)

- Group of 12 men, Hugh Tracey

Mocholoko (The novice)

- Mokoto Tsoeliane and group of Koali men, Hugh Tracey

  • Authors: Mokoto Tsoeliane and group of Koali men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161177 , vital:40599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-03
  • Description: The Mohobelo dance is most typical of all Sotho dances and is notable for its sinous striding actions which are accompanied by rhythmic hissing and by stamping. The dance songs are performed by the spectators and not the dancers. There are frequently two or three movements or routines in a Mohobelo, a slow entry and dance, follwed by a fast leaping movement and frequently by a third slow routine. Each is given a local mane, often the name of the district of origin. Mohobelo men's dance with stamping.
  • Full Text: false
  • Date Issued: 1959

Modumo o u dumang kwa botshaka (The noise heard in the north)

- Sinna Ramorula, Hugh Tracey

Mogalepetla nong tsa noka e kgolo (The Mogalepetla birds live near the great river)

- Group of 8 men, Hugh Tracey

Mokema (Name of a place near Maseru)

- Mamatela Raphuthing and large group of women, Hugh Tracey

  • Authors: Mamatela Raphuthing and large group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161908 , vital:40689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-12
  • Description: "Taung Moletsane's place, my home! If I speak, I shall cause sorrow, some would remember things. And I would be bringing back the dead. Women on the Rand are vagrants, they wear shoes without stockings. You can see our mountains in Basutoland. The hawk which dwells on the cliff at Ramalile catches the chickens when they go out to feed." Mokhibo women's knee dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Monga kobo bohlajana (The owner of the blanket (skin) is wise)

- Mosinoa Moea and group of 20 men, Hugh Tracey

  • Authors: Mosinoa Moea and group of 20 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162043 , vital:40751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-05
  • Description: "The owner of the blanket is wise. He does not take it out to be brayed." The cries and shouts during the song were about the work such as 'pull it this way", "put more fat on it", and "if they would bring more beer, we will finish the job", etc. Work song for braying and for threshing.
  • Full Text: false
  • Date Issued: 1959

Monnamogolo (Old man baboon)

- Dorothy Kgosilentswe and four young girls, Hugh Tracey

Mora Motlole (Motlole's son)

- Mahlapane Qoalike and group of women, Hugh Tracey

Moroallo oa metsi a pula

- Ts'oene Toma and young men, Hugh Tracey

  • Authors: Ts'oene Toma and young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161292 , vital:40613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-05
  • Description: The melody of this song strongly resembles the songs of the Northern Tanganyikans. "The floods of rain. Ngene, Ngene, the noise of rain. The lightening flashed and then rain came. Makhoabunyane of Mount Katike. When it makes this roaring sound it does it only to annoy. So I took up my stick and went to find out about it. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Morulantshoana (Something that makes your heart happy)

- Abraham Mudukanele and 18 Hurutshe men, Hugh Tracey

Motee (Name)

- Abraham Mudukanele and 18 Hurutshe men, Hugh Tracey

Motee (The cattle)

- Botlhe Motswa (c. 60 years old) and 20 women, Hugh Tracey

Motlhala wa Noga (The spoor of a snake)

- Royal Choristers, Hugh Tracey

  • Authors: Royal Choristers , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kanye f-sa
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165259 , vital:41224 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-14
  • Description: This group is the Chief's own choir. The chief Bathoen has always been interested in music and has composed several songs for choirs. He possesses a grand piano himself and keeps up a choir at his home, Kanye. He frequently takes his choir by lorry and car around the country to give concerts elsewhere. His style of composition reflects the insititutional type of song which has been popular among students for several years employing the usual common chords. Interest in the folk music of the country having been discouraged by their teachers as socially inferior, this style of singing was intended to take its place among the 'educated'. Concert song.
  • Full Text: false
  • Date Issued: 1959
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