Unali mpepara kale wadodoma ndi mfuti
- Tweleve elderly women and two drummers, Hugh Tracey
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155775 , vital:39915 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "A long time ago there was a man with a gunwho could not shoot and always missed." The failure of this hunter to bring home the meat by continually missing his quarry has been perpetuated in this song although the name of the hunter concerned has long since been forgotten. The two drums were barrel shaped, weighted, and with mirlitons (locallly called Mvema). Chitsukulumwe dance with 2 horizontal double ended barrel drums, rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155775 , vital:39915 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "A long time ago there was a man with a gunwho could not shoot and always missed." The failure of this hunter to bring home the meat by continually missing his quarry has been perpetuated in this song although the name of the hunter concerned has long since been forgotten. The two drums were barrel shaped, weighted, and with mirlitons (locallly called Mvema). Chitsukulumwe dance with 2 horizontal double ended barrel drums, rattles and clapping.
- Full Text: false
- Date Issued: 1958
Wakazali Inhaminga (She has married at Inhaminga)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958
Wasukula sakwatidwa (Before she is old enough)
- Young girls and four drummers, Hugh Tracey
- Authors: Young girls and four drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157910 , vital:40112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-02
- Description: "If a girl is not yet a maiden she cannot marry." As the dance progressed the castor oil paste on the bass drum gradually began to shake off the head with the intense percussive movement." Likhuba dance with eight tuned drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young girls and four drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157910 , vital:40112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-02
- Description: "If a girl is not yet a maiden she cannot marry." As the dance progressed the castor oil paste on the bass drum gradually began to shake off the head with the intense percussive movement." Likhuba dance with eight tuned drums.
- Full Text: false
- Date Issued: 1958
Zakeyo mwana binzi (Before she is old enough)
- Young girls and four drummers, Hugh Tracey
- Authors: Young girls and four drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157901 , vital:40111 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-01
- Description: This dance used to be done by both boys and girls but now-a-days it is mostly the girls who dance Likhuba. "Zakeys son of Binzi, from his mouth came 'Tickeys'." Likhuba dance with eight tuned drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young girls and four drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157901 , vital:40111 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-01
- Description: This dance used to be done by both boys and girls but now-a-days it is mostly the girls who dance Likhuba. "Zakeys son of Binzi, from his mouth came 'Tickeys'." Likhuba dance with eight tuned drums.
- Full Text: false
- Date Issued: 1958
Zanse na Tengani afuna mapass (Everything at Tengani needs a pass)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958