Showing items 121 - 140 of 1647

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Maeba Masimong (Pigeons in the fields)

- Molatsi Raseile and group of menn, Hugh Tracey

Magawalela (People of Mapula)

- Odirile Masumoloa and 14 men, Hugh Tracey

Magogwe mo Leseng Part 1(Let the honey bear dig out the ant bear)

- Mmapane Taunyane with 3 women and 1 man, Hugh Tracey

  • Authors: Mmapane Taunyane with 3 women and 1 man , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/164231 , vital:41096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-09
  • Description: "Let the honey bear dig out the ant bear!" "Honey bear, look out for the flies, they are getting into the honey!" A woman crept about on the ground with her face in a large pot and her arms stretched out before her, grunting into the pot. This was meant to be in imitation of a honey bear. This one of the games played in the evening. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1959

Magogwe mo Leseng Part 2(Let the honey bear dig out the ant bear)

- Mmapane Taunyane with 3 women and 1 man, Hugh Tracey

  • Authors: Mmapane Taunyane with 3 women and 1 man , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/164236 , vital:41097 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-10
  • Description: "Let the honey bear dig out the ant bear!" "Honey bear, look out for the flies, they are getting into the honey!" A woman crept about on the ground with her face in a large pot and her arms stretched out before her, grunting into the pot. This was meant to be in imitation of a honey bear. This one of the games played in the evening. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1959

Maipetleko

- Dingalo and group of young boys and girls, Hugh Tracey

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165683 , vital:41271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-07
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Majone (Johnnie)

- Moroke Molebatsi and group of 19 men, Hugh Tracey

  • Authors: Moroke Molebatsi and group of 19 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165228 , vital:41220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-11
  • Description: "Johnnie's mother weeps, where did Johnnie die? (she says). Johnnie died when they were cattle-raiding (she says). They killed him when he was following the spoor of his captured cattle. I refused you, so you hated me and went away disappointed." These 19 pipes were made of lenghts of copper tubing. The pitch of each pipe was recorded before each item. From two measurements of the same set of pipes within three weeks, it is clear that the tuning varies from performance to performance, the pitch of each pipe being adjusted by means of the plug a wire ramrod is kept for this purpose. The pipes are used on any occassion, for parties, or recreational purposes. The performerswalk around sideways in a circle, using a simple stamping step or shuffle or leaping like frogs in an anti-clockwise direction. Pipe dance with closed end blown "Ditlhaka" flute ensemble.
  • Full Text: false
  • Date Issued: 1959

Makholane (Makholane, name)

- Mahlapane Qalike and group of Sotho women, Hugh Tracey

Makwati o tshola nama (Makwati is handing out meat of a pig)

- Group of Kwena boys, Hugh Tracey

Malepa (The problem)

- Kgosietsile Mokgasi, Hugh Tracey

  • Authors: Kgosietsile Mokgasi , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/164249 , vital:41099 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-11
  • Description: A small steel washer was hidden in the sand. An old man had to find it. When he was 'cold' the muscian played loudly, 'hot', the playing died down. This is not unlike several other guessing games in other tribes, such as 'Siavuma' with the Zulu. In some cases the music is played or sung louder as the seeker gets nearer the hidden object, in others, the music fades away to a mere whisper. A musical guessing game 'Sebatlo' with a one stringed bowed Zither 'Segankure'. (Open string 146 vs.)
  • Full Text: false
  • Date Issued: 1959

Mamarutla

- Dingalo and group of young boys and girls, Hugh Tracey

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165678 , vital:41270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-06
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Mammalo Sebolelo

- Lesoli Maboka and large group of young men, Hugh Tracey

Mamoko, mamoko, matlabama iye (Clouds, clouds, low clouds, iye)

- Tietse Modisane and group of about 30 women, Hugh Tracey

  • Authors: Tietse Modisane and group of about 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165574 , vital:41258 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-07
  • Description: "Clouds, clouds, low clouds, iys, they are thundering." The Western Transvaal has inadequate rainfall in many places as low as 15 to 18 inches a year, gradually becoming reduced towards the West and the Kalahari Desert where recently in one region no rain at all has fallen for five years. This accounts for the numerous rain songs to be found among the Tswana tribes who have good cause for anxiety for their crops each year. No rain songs are sung in high rainfall areas. The praise lines or verses are set lines, not impromptu. The words are both archaic and poetic used only for Leboko. The clapping is ritual, but it is always correct to clap the hands when asking for something. The Moroka or rainmaker was the officiant in a rain-making ceremony. Rain song, with clapping.
  • Full Text: false
  • Date Issued: 1959

Mamosi oa Theoloa ke mang? (Who will bring Mamosi down?

- Mapheelo Maklelebe and large group of Sotho women, Hugh Tracey

  • Authors: Mapheelo Maklelebe and large group of Sotho women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161349 , vital:40619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-08
  • Description: "Who will bring Mamosi down? The 'municipality' is the wizard of the whites. He has brought the railway train into 'Naesifili'. At my home at Majara Leshoboro's place. Smoke drifts far away out in the veld. I have no Chief, I am ruled by a woman. Mother Mantsala, give me food. When horses race for prizes, yours runs for nothing. My family is disappointed with Mateseliso. It does not like people who cover their heads with cloth. I have not come here to see you, I have come to condole with you." The 'Municipality', they explained, is looked upon as a single person, a person of wealth who can do things rather like the Government. Mokibo women's kneeling dances, with clapping.
  • Full Text: false
  • Date Issued: 1959

Mampharoane (Gecko Lizard)

- Malebaka Moroke, Hugh Tracey

  • Authors: Malebaka Moroke , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161805 , vital:40678 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-03
  • Description: "Lizard soften the hide (for making skin blankets). Mother come and see the thing that has been biting me. I have been bitten by fleas and bed-bugs. This person who is grinding is Malikhetla living in the village of Motemekoane," This grinding song is taken from a local initiation song. Grinding song.
  • Full Text: false
  • Date Issued: 1959

Mampho thiba lisabole (Mampho, ward off the spears)

- Mosinoa Peter, with group of 14 dancers and large group of singers, Hugh Tracey

Mangoane phutholla kobo (Stretch out the blanket, Aunt)

- not defined, Hugh Tracey

  • Authors: not defined , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161303 , vital:40614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-06
  • Description: "Aunt, stretch out the blanket. There are two of us. Stretch out the blanket, I will be coming, I am going out to smoke. When I leave here, going away. Montsala remain here and look after my children. Look after Mamotolo and Malerato and Toma. Toma, look after these children of mine particulary Mamotolo and Malerato. I looks as if I will be going away. I feel I am going. I really feel I will be crossing the river." 'To cross the river' in Sesotho means "I will be going to the Union of South Africa" with reference to the Calendon river which forms part of the border between the two countries. Women's party song, with clapping.
  • Full Text: false
  • Date Issued: 1959

Manong a kwa molapo o Tlung (The vultures at the spring called Tlung no longer need carrion, they are full.

- Abel Mabe, Hugh Tracey

Maolo di phepa (Now we are clean)

- Keilediwe Modise and group of middle-aged and elderly men, Hugh Tracey

Maomosa re kaeleng (You women who cannot cook)

- Motsekhumo Tiro and group of elderly men, Hugh Tracey

  • Authors: Motsekhumo Tiro and group of elderly men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162524 , vital:40943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-06
  • Description: "You women who cannot cook, tell us where the noise is." The meaning is that where there is noise, there may be a party and where there is a party there is good cheer. Introduced by each pipe played in turn around the circle of old men. Most of the pipes were made of reed. The pipes must be immersed in water before playing or they will not sound. They were very old pipes and the tuning was clearly awry, the old players being unable to tune them accurately. Pipe dance with Dithloko end-blown reeds
  • Full Text: false
  • Date Issued: 1959

Marimbo

- George Modiegnyana and group of young men, Hugh Tracey

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