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Rungano (The story of the younger brother)

- Farai Takawarasha and Ncube Shoko, Hugh Tracey

  • Authors: Farai Takawarasha and Ncube Shoko , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154558 , vital:39746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-08
  • Description: There were once two brothers who were both herdboys. The elder incited the younger to fight him. While they were fighting the elder brother tired and the younger brother beat him. So the elder brother ran away leaving the younger brother to bring home the cattle. The younger brother thought that their fight was over, but at midnight when he was already in bed he heard a knock at the door and found his older brother standing there. "What do you want?" "I would like to fight again" he replied. So they set to. Again the elder brother was defeated and during the fight they broke the windows and furniture. Early in the morning the elder brother returned and found the younger brother eating mealies, and the younger brother never suspected that the elder brother was eager to fight the third time. He offered the elder brother some mealies but he said he was still dissatisfied with the result of the fight. So they fought again a third time and again and again for six matches, until the younger brother decided he must leave the villgae for good. So he left his home and that was the end of the story. Rungano story.
  • Full Text: false
  • Date Issued: 1958

Rungano rgwe mwana we imbgwa (The story of the child of the dog)

- Rufashas and friend, Hugh Tracey

  • Authors: Rufashas and friend , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154567 , vital:39748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-09
  • Description: Once upon a time there was a Chief who had a dog that was about to have some puppies. But instead of puppies it bore a child, a girl. He was very disobedient and insisted upon finding and eating bones. Now when she was fully grown, she was about to marry a chief's son. On the day she was going to marry there was a big party. People were warned not to throw the bones on the floor because people might walk on them. But in fact the chief was afraid his daughter would pick them up and revert into being a dog. But the people did not pay attention. Then the girl began to pick up the bones and they all called out "child of a dog, child of a dog". So you see, there is nothing you can hide in the long run. Story.
  • Full Text: false
  • Date Issued: 1958

Rungano rgwe nerera (Story of the orphan girl in the cave)

- Rufashas and friend, Hugh Tracey

Rungano rgwe rombe (The story of the minstrel)

- Robin Magiriri, Hugh Tracey

Shangara pa chikaranga

- Stephen R. Gumbo, Hugh Tracey

  • Authors: Stephen R. Gumbo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
  • Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
  • Full Text: false
  • Date Issued: 1958

Tsuro Wa siye mwana (The rabbit has left its child)

- Young Tonga men and girls, Hugh Tracey

Wamwira mangarangara (If you drink too quickly you get yourself drunk)

- Younf Tonga men and women, Hugh Tracey

  • Authors: Younf Tonga men and women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179094 , vital:39859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-03
  • Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
  • Full Text: false
  • Date Issued: 1958

Wano Gambire nyama we Jarusarima (They fry meat in Jersusalem)

- Stephen R. Gumbo, Hugh Tracey

  • Authors: Stephen R. Gumbo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154123 , vital:39611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-02
  • Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
  • Full Text: false
  • Date Issued: 1958

Ye chikoro (Of the school)

- Stephen Runeso Gumbo, Hugh Tracey

Zimbige 1

- Tawagaza Sibanda, Hugh Tracey

Zimbige II

- Tawagaza Sibanda, Hugh Tracey

  • Authors: Tawagaza Sibanda , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154503 , vital:39740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-02
  • Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. This is an instrumental recording only. Self delecatative song with Njari (Mbira).
  • Full Text: false
  • Date Issued: 1958

Baba ndarota kufa

- Simon Sitole, Hugh Tracey

  • Authors: Simon Sitole , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181789 , vital:43768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-11
  • Description: "The singer dreamt one day of his own death and tells his mother, sister and the rest of his family about his dream." In fact, the singer Simon Sitole is repeating the words of a song heard from another man and does not refer to himself. Only the opening line was picked up. He made up the rest for himself. Wistful song with Mbira dza WaNdau
  • Full Text: false
  • Date Issued: 1957

Kufa kusina dangwe

- Simon Sitole, Hugh Tracey

Madanga ende kujero

- Shengwe Mashowa, Hugh Tracey

  • Authors: Shengwe Mashowa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Maceques f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181750 , vital:43764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-07
  • Description: The player was about 300 miles from his home district working on the construction of the Kariba dam on the Zambezi river. "Scoop up water for your mother for she is very thirsty. It is your mother who asks." The Ndau Mbira has three manuals but this example has only two, tuned from right to left in descending order. Self delectative song with Mbira dza WaNdau, tin resonator and 26 notes
  • Full Text: false
  • Date Issued: 1957

Mbuya wasika waye

- Majoweni Andireya, Hugh Tracey

  • Authors: Majoweni Andireya , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Sipungabera f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181727 , vital:43762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-05
  • Description: Many men from the tribe on the eastern borders of Southern Rhodesia come 400 miles across the territory to this coal mine at Wankie near the Victoria falls where the song was recorded. This song was taken from a girl's song, often used they say, while grinding corn or millet on the grinding stone. Topical song with Mbira dza waNdau, resonated, with 26 notes
  • Full Text: false
  • Date Issued: 1957

Nda murombo

- Saizi Sitole, Hugh Tracey

  • Authors: Saizi Sitole , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipungahera f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181756 , vital:43765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-08
  • Description: The player was about 300 miles from his home district working on the construction of the Kariba dam on the Zambezi river. The Ndau Mbira has three manuals but this example has only two, tuned from right to left in descending order. Self delectative song with Mbira dza WaNdau, tin resonator and 26 notes
  • Full Text: false
  • Date Issued: 1957

Ndaka nyanya kushata mai-weu!

- Majoweni Andireya, Hugh Tracey

  • Authors: Majoweni Andireya , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipungahera f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181738 , vital:43763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-06
  • Description: The player was about 300 miles from his home district working on the construction of the Kariba dam on the Zambezi river. "I am so very ugly that no one will marry my daughter." As in other communities it is important to launch your daughter as soon as possible. The Ndau Mbira has three manuals but this example has only two, tuned from right to left in descending order. Self delectative song with Mbira dza WaNdau, tin resonator and 26 notes.
  • Full Text: false
  • Date Issued: 1957

Samukonga lunga lyambala lya Meli (Samukonga is the husband of Mary)

- Group of 7 Luvale women and 12 men, Hugh Tracey

  • Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
  • Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
  • Full Text: false
  • Date Issued: 1957

Twaliwananga na Joni Meka (We met with Joni Meka)

- Group of 7 Luvale women and 12 men, Hugh Tracey

  • Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137265 , vital:37504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-12
  • Description: "Joni Meka promised to marry Mary-and married her." The bottle rhythm so common in south central Africa opens this song set off against a cross rhythm on the piece of metal. The organum singing of the chorus, in antiphony with the leader is unmistakeably Luvale in structure and tone. It is not a kind of music which tribes other than Luvale either appreciate or imitates. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
  • Full Text: false
  • Date Issued: 1957

Mandowa

- Zhanke Masingi, Hugh Tracey

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